tag:blogger.com,1999:blog-50078194077587673812024-02-19T03:44:33.667-08:00Est. 1999Unknownnoreply@blogger.comBlogger78125tag:blogger.com,1999:blog-5007819407758767381.post-14131807516387331102016-12-06T03:01:00.000-08:002016-12-06T03:01:15.361-08:00Season's Greetings!<div class="separator" style="clear: both; text-align: center;">
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<span style="font-family: "Courier New",Courier,monospace;"><span style="font-size: x-small;">Image found at<i> <a href="http://berlindiaadiia.blogspot.de/">Berlin dia a dia</a></i></span></span></div>
Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-5007819407758767381.post-41335833313254425972016-09-18T04:20:00.000-07:002016-09-18T04:20:17.788-07:00Victor Segalen (2010)<!--[if gte mso 9]><xml>
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<span style="font-family: "Courier New",Courier,monospace;"><span style="font-size: small;"><span lang="EN-US">(Documentary film, 52 minutes,
produced by <a href="http://www.gebrueder-beetz.de/">gebrueder beetz</a>,
ZDF/arte in coproduktion mit <a href="http://www.sctv.com/">Sichuan TV</a>.
<span> </span>Written by <a href="http://www.zinfert.com/">Maria Zinfert</a> and directed by
<a href="http://www.tamara-wyss.de/english/home_en.html">Tamara Wyss</a>,
the latter of whom passed away here in Berlin on <span class="schrift12">30 March
2016</span>.) </span></span></span></div>
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<span style="font-family: "Courier New",Courier,monospace;"><span style="font-size: small;"><span lang="EN-US">Completed in 2010, way back 2007 I worked on
a treatment to this documentary on <b>"Victor Segalen</b> (14 January 1878
– 21 May 1919), [who] was a French naval doctor, ethnographer, archaeologist,
writer, poet, explorer, art-theorist, linguist and literary critic [<a href="https://en.wikipedia.org/wiki/Victor_Segalen"><i>Wikipedia</i></a>]."</span></span></span></div>
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<span style="font-family: "Courier New",Courier,monospace;"><span style="font-size: small;"><span lang="EN-US">As way to often on way too many German websites, the English-language synopsis of
the documentary found at gebrueder beetz's website was obviously provided by
Google Translator, so here's what they say about the film at <i><a href="http://german-documentaries.de/films/45132">German Documentaries</a></i> instead:
"In the spring of 1914 a French archaeological expedition, led by the
French poet and medical doctor Victor Segalen, entered the province of Sichuan
in order to do research on burial mounds of the Han era (206 BCE-220 CE) and
early Chinese Buddhist iconography and epigraphy. Research in this realm still
continues in Sichuan today, but the means and techniques of the archaeologists
and art historians are more complex and advanced compared to those of a century
ago. Segalen, who lived in China from 1909 until 1914, was fluent in the
Chinese language and was able to read ancient Chinese writings. He was a great
admirer of Chinese culture and history."</span></span></span></div>
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<![endif]-->Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-5007819407758767381.post-63239128444742812872016-09-11T09:04:00.001-07:002016-09-11T09:04:13.397-07:00Now It's Time for English!<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiiT6X_tXilPtRrFrRwdH3XZerN94tPTlxFIUqWM3fUdmGGH0cw7ts9cKV7i4xHbSYC87DBu1rVLdWwvQn4weQneN9wnyI3zH9c4jYLQwrjHIQ5qBEfhcmzeDV_nGhzmwGBa7ffGmgO34Qn/s1600/beatycoles_large.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiiT6X_tXilPtRrFrRwdH3XZerN94tPTlxFIUqWM3fUdmGGH0cw7ts9cKV7i4xHbSYC87DBu1rVLdWwvQn4weQneN9wnyI3zH9c4jYLQwrjHIQ5qBEfhcmzeDV_nGhzmwGBa7ffGmgO34Qn/s400/beatycoles_large.jpg" width="400" /></a></div>
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<span style="font-family: "courier new" , "courier" , monospace;"><span style="font-size: small;"><span lang="EN-US">Surprise! Although my main income is indeed
translation, occasionally I do layout or even illustration. From 2003 to 2004,
for example, I was the house illustrator for <a href="https://oskar-lernt-englisch.de/?gclid=CM_Y7oPTh88CFciRGwod4WICfw"><i>Oskar Lernt Englisch</i></a>,
a school here in Berlin that specializes in teaching kids English. Basically,
that meant drawing a new worksheet pretty much once every two weeks. Somewhere
along the way, the school also put out a kiddy CD — pictured above — which I
also illustrated.</span></span></span></div>
<div style="text-align: justify;">
<span style="font-family: "courier new" , "courier" , monospace;"><span style="font-size: small;"><span lang="EN-US">Except for Oskar himself, I came up with all the reoccurring
characters in the worksheets, including Mr. Magic, whom you see singing on the
cover above. Dunno whether either the worksheets or characters are still being used at <i>OLE</i>, but it was an enjoyable job.</span></span></span></div>
<div class="MsoNormal" style="text-align: justify;">
<span style="font-family: "courier new" , "courier" , monospace;"><span style="font-size: small;"><span lang="EN-US">Like the animators at <a href="http://offbeat.topix.com/slideshow/15913">Disney</a>,
I liked to slip in the occasional Easter Egg... but no one ever found any of
them! (Instead, some mother once complained about Mr Magic 'cause magic is unholy and she didn't want her kid learning English from a satanic character.<span style="font-family: "courier new" , "courier" , monospace;">)</span></span></span></span>
</div>
Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-5007819407758767381.post-81035586610422300622016-08-28T05:44:00.000-07:002016-08-28T05:45:27.626-07:00No, Seriously: How *Not* to Discuss Rates with a Translator<div style="text-align: center;">
<iframe allowfullscreen="" frameborder="0" height="315" src="https://www.youtube.com/embed/LeF7ykpRRc4" width="560"></iframe>
<span style="font-family: "courier new" , "courier" , monospace;"><br /></span></div>
<div style="text-align: center;">
<b><span style="font-family: "courier new" , "courier" , monospace;"><span style="font-size: small;">From: <a href="https://www.youtube.com/channel/UCI-ZdOZN_xmN6VT57hwreTA">No Peanuts for Translators</a></span></span></b></div>
Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-5007819407758767381.post-17412433769535606032016-08-01T03:57:00.001-07:002016-08-01T03:57:44.242-07:00Hoffenheim – Das Leben ist kein Heimspiel (2010)<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiqg57ln3d46sKaSfoTXZOA3yBbcNSwQL1ofvII4zPhC1DIZ1hDFdo2reet1fMNG-B3v71icufndSVHyTZpmgXmpATuqk6UWfOaqTCueMJ5SkAWWPRvyDJjbs3viXBuz9x1r3ICMKOnZm4w/s1600/hoffenheim-das-leben-ist-kein-heimspiel-poster.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiqg57ln3d46sKaSfoTXZOA3yBbcNSwQL1ofvII4zPhC1DIZ1hDFdo2reet1fMNG-B3v71icufndSVHyTZpmgXmpATuqk6UWfOaqTCueMJ5SkAWWPRvyDJjbs3viXBuz9x1r3ICMKOnZm4w/s400/hoffenheim-das-leben-ist-kein-heimspiel-poster.jpg" width="282" /></a><span style="font-family: "courier new" , "courier" , monospace;"></span></div>
<div style="text-align: justify;">
<span style="font-family: "courier new" , "courier" , monospace;"><span style="font-size: small;">(Feature documentary by <a href="http://www.filmportal.de/person/frank-marten-pfeiffer_16bee9415dce44fb8db830b84685f87e">Frank Pfeiffer</a> & <a href="http://www.torerofilm.de/profil/">Rouven Rech</a>, <a href="http://www.sommerhaus-film.de/">Sommerhaus Filmproduktion</a> in co-production with <a href="http://www.filmportal.de/institution/filmaufbau-leipzig-gmbh-leipzig_27a02eddb38845f79d22ab21abe17561">Filmaufbau Leipzig</a> & ZDF<span style="font-family: "courier new" , "courier" , monospace;"><span style="font-family: "courier new" , "courier" , monospace;">.)<span style="font-family: "courier new" , "courier" , monospace;"> </span></span></span></span></span><br />
<span style="font-family: "courier new" , "courier" , monospace;"><span style="font-size: small;"><span style="font-family: "courier new" , "courier" , monospace;"><span style="font-family: "courier new" , "courier" , monospace;"><span style="font-family: "courier new" , "courier" , monospace;">T</span></span><span style="font-size: small;"><span style="font-family: "courier new" , "courier" , monospace;"></span>he title translates into "<span style="font-family: "courier new" , "courier" , monospace;">L</span>ife <span style="font-family: "courier new" , "courier" , monospace;">I</span>sn't a <span style="font-family: "courier new" , "courier" , monospace;">H</span>ome <span style="font-family: "courier new" , "courier" , monospace;">G</span>ame", but outside of Germany I believe the film was simply titled <b>Hoffenheim</b>.<span style="font-family: "courier new" , "courier" , monospace;"> </span></span></span><b>Hoffenheim – Das Leben ist kein Heimspiel</b> premièred within the scope of the 2010 <a href="http://www.max-ophuels-preis.de/">Filmfestival Max Ophüls Preis</a>.</span></span><span style="font-family: "courier new" , "courier" , monospace;"><span style="font-size: small;"> </span></span></div>
<div style="text-align: justify;">
<div style="text-align: justify;">
<div style="text-align: justify;">
<span style="font-family: "courier new" , "courier" , monospace;"><span style="font-size: small;"><span style="font-family: "courier new" , "courier" , monospace;"><span style="font-family: "courier new" , "courier" , monospace;">I did</span></span> the subtitles to this great documentary. (If I remember correctly, one of the directors [Rouven Rech] contacted me directly; I later ended up later working on another intriguing documentary of his, <b>Adopted </b>[2011].) In general, I hate sports films, fiction or non-fiction, but <b>Hoffenheim – Das Leben ist kein Heimspiel </b>has ended up being one of my favorite non-fiction sport films about soccer (a position it shares with only one other movie, the Dutch soccer documentary <b>The Other Final</b> [2003 / <a href="https://vimeo.com/40066652">trailer</a>]).</span></span><br />
<span style="font-family: "courier new" , "courier" , monospace;"></span></div>
</div>
<div style="text-align: center;">
<div style="text-align: center;">
<b><span style="font-family: "courier new" , "courier" , monospace;"><span style="font-size: small;">German Trailer:</span></span></b></div>
<div style="text-align: center;">
<iframe allowfullscreen="" frameborder="0" height="315" src="https://www.youtube.com/embed/NzQ_7yVGiOo" width="560"></iframe>
<b><span style="font-family: "courier new" , "courier" , monospace;"><span style="font-size: small;"> </span></span></b></div>
<div style="text-align: justify;">
<span style="font-family: "courier new" , "courier" , monospace;"><span style="font-size: small;"><b>Hoffenheim – Das Leben ist kein Heimspiel</b>, which took three years to film, tells the tale of how the local (as in "amateur") soccer team <a href="http://www.achtzehn99.de/home-en-us/">TSG 1899 Hoffenheim</a> came to enter the first division, where it still plays today. The team as it is now known, as well as its home stadium, were literally built by the multi-millionaire <a href="https://en.wikipedia.org/wiki/Dietmar_Hopp">Dietmar Hopp</a>.</span></span></div>
</div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiKjOSlao1j1nvifoLKjagcpSGcSzoZnFGskVffunUumCG17on223S9yRg1ByFlnZ2X3EMXtJ8YGcFBIq3EWkQ7BXe_Nmm6IeAakZCs54W5eSd8uXZDyxCEpu6XRVICXkkZRXNQdWG2483p/s1600/26771_1.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="170" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiKjOSlao1j1nvifoLKjagcpSGcSzoZnFGskVffunUumCG17on223S9yRg1ByFlnZ2X3EMXtJ8YGcFBIq3EWkQ7BXe_Nmm6IeAakZCs54W5eSd8uXZDyxCEpu6XRVICXkkZRXNQdWG2483p/s400/26771_1.jpg" width="400" /></a> </div>
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<span style="font-family: "courier new" , "courier" , monospace;"></span></div>
<div style="text-align: justify;">
<span style="font-family: "courier new" , "courier" , monospace;"><span style="font-size: small;">As <a href="https://en.wikipedia.org/wiki/Main_Page"><i>Wikipedia</i></a> explains: "Hopp is the chief financial backer of the German football club TSG 1899 Hoffenheim. When Hopp, who had played in the club's youth setup, started supporting the club in 2000, Hoffenheim were playing in the fifth division of German football. Today, Hoffenheim are in the First Bundesliga, and in their first season in the top flight in 2008–09, they led the league at its winter break. Hopp also spent €100 million to build a new 30,000-seat stadium called Rhein-Neckar-Arena near Sinsheim for the club."</span></span></div>
<div style="text-align: justify;">
<span style="font-family: "courier new" , "courier" , monospace;"><span style="font-size: small;"><b><span style="font-family: "courier new" , "courier" , monospace;"><span style="font-size: small;">Hoffenheim - </span></span>Das Leben ist kein Heimspiel</b> follows the movers and shakers that made the team what it is now as well as the original Joe-Schmoe fans of the former local team which, thanks to the magic cure known as "unlimited money", became big time.</span></span></div>
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<div style="text-align: justify;">
<div style="text-align: justify;">
<span style="font-family: "courier new" , "courier" , monospace;"><span style="font-size: small;">As <a href="http://www.zeit.de/sport/2011-01/hoffenheim-film-das-leben-ist-kein-heimspiel"><i>Zeit Online</i></a> more or less wrote: "The opening scene of Frank Pfeiffer and Rouven Rech's award-winning documentary film <b>Das Leben ist kein Heimspiel </b>takes place in January, 2007. For three years, the two filmmakers accompanied the former small town soccer club TSG 1899 Hoffenheim. And if there was ever a time when it was worth following a football club around for awhile, then it was during the later naughts for Hoffenheim. [...] This film would not count as one of the most impressive sports documentaries around if it merely told the story of Hoffenheimer's success. Instead, it captures the ambivalence between tradition and modernity, between sausage and fireworks. German professional football took about 25 years to shake off the stigma of provincialism and concern itself with making money. TSG Hoffenheim managed that in just three years. It was an experiment of maximum acceleration that did <span style="font-family: "courier new" , "courier" , monospace;">transpire</span> <span style="font-family: "courier new" , "courier" , monospace;">without bu<span style="font-family: "courier new" , "courier" , monospace;">mps</span></span>. [...]"</span></span></div>
<span style="font-family: "courier new" , "courier" , monospace;"></span></div>
<span style="font-family: "courier new" , "courier" , monospace;"><span style="font-size: small;"></span></span></div>
Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-5007819407758767381.post-34463725309804185152016-07-24T23:01:00.001-07:002016-07-24T23:01:22.477-07:00The Future is Now! The Art Avant-garde of China Conquers the Market / Die Zukunft ist jetzt! Chinas Kunst Avantgarde erobert den Markt (2007)<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjFQdhvNQptA3tMT5_AmjeQj2fpJzKfhO5GjDIMnDJ9-h9q7i5RtTIB6t_2gbBZ1c0YIDTKqIPGTtN1t-t3Xi_vS0DTZlBKc0HEAOoqehs1hMRUum7lFIGsAdawfys1mFCdexyHg6NAJAfG/s1600/_1197495065_film23698.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="264" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjFQdhvNQptA3tMT5_AmjeQj2fpJzKfhO5GjDIMnDJ9-h9q7i5RtTIB6t_2gbBZ1c0YIDTKqIPGTtN1t-t3Xi_vS0DTZlBKc0HEAOoqehs1hMRUum7lFIGsAdawfys1mFCdexyHg6NAJAfG/s400/_1197495065_film23698.jpg" width="400" /></a></div>
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<span style="font-family: "courier new" , "courier" , monospace;"><span style="font-size: small;">Many years ago, when China and its art were suddenly getting hip, I translated a treatment for a four<span style="font-family: "courier new" , "courier" , monospace;">-</span>part documentary TV series – this one. Produced by <a href="http://www.gebrueder-beetz.de/en/">Gebrueder Beetz</a> on behalf of ZDF/arte, the series was directed by <a href="http://www.imdb.com/name/nm2582579/">Ilka Franzmann</a> and written by <a href="http://www.imdb.com/name/nm1593772/">Marco Wilms</a>. As far as we can tell, the series was last screened on TV (arte) in 2011.</span></span></div>
<div style="text-align: center;">
<span style="font-family: "courier new" , "courier" , monospace;"><span style="font-size: small;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj0J-iX1FuJ6VvBY4b2ViG77ZtL7NOgKEtbTZmEGqHE8TExL6kONnJyCTguGS-IAcFZ7xWJqZ-VphEoJdJA_YiB8Mo6J6G2OI0u8V54dfjs_1o7i9zXuHPg_B7yg6v5esS8JHB4HRBuBsMo/s1600/Chinakunst_6.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="227" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj0J-iX1FuJ6VvBY4b2ViG77ZtL7NOgKEtbTZmEGqHE8TExL6kONnJyCTguGS-IAcFZ7xWJqZ-VphEoJdJA_YiB8Mo6J6G2OI0u8V54dfjs_1o7i9zXuHPg_B7yg6v5esS8JHB4HRBuBsMo/s400/Chinakunst_6.jpg" width="400" /></a> </span></span></div>
<div style="text-align: justify;">
<span style="font-family: "courier new" , "courier" , monospace;"></span><span style="font-family: "courier new" , "courier" , monospace;"></span><span style="font-family: "courier new" , "courier" , monospace;"><span style="font-size: small;">From the Beetz website:</span></span></div>
<div style="text-align: justify;">
<span style="font-family: "courier new" , "courier" , monospace;"><span style="font-size: small;">"In China, 'the' land of globalization and gold-rush spirit, art likewise follows the Circe-song of international capital. Just like the skyscrapers of Shanghai, the prices for Chinese art are skyrocketing to new heights. By now, Chinese artists are being exhibited all over the world, including at important museums in Paris, and are being feted at leading international art events such as the Venice Biennale and Kassel Documenta. In the four-part series, we reveal the background and underlying stories behind the extraordinary work of the leading Chinese Shooting Stars – all of whom are representatives of a generation in upheaval and change."</span></span><br />
<span style="font-family: "courier new" , "courier" , monospace;"><span style="font-size: small;">The individual "shooting stars" given one 26-minute episode of their own: the at the time most-expensive painter of modern China <a href="https://www.artsy.net/artist/liu-xiaodong">Liu Xiaodong</a>; "the current darling of the Western art world" <a href="https://www.artsy.net/artist/yang-fudong">Yang Fudong</a>; <a href="https://www.artsy.net/artist/cao-fei">Cao Fei</a>, whose "work also moves to the technological pulse of the times"; and "the 26-year-old rebel" <a href="http://www.artnet.com/artists/chi-peng/">Chi Peng</a>.</span></span></div>
<div style="text-align: center;">
<b><span style="font-family: "courier new" , "courier" , monospace;"><span style="font-size: small;">Trailer:</span></span></b></div>
<div style="text-align: center;">
<iframe allowfullscreen="" frameborder="0" height="420" src="https://www.youtube.com/embed/mshI87o_LKI" width="560"></iframe></div>
Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-5007819407758767381.post-87986018495934345882016-07-18T02:04:00.000-07:002016-07-18T02:04:07.746-07:00The Most Secret Place on Earth: The CIA's Covert War in Laos / Amerikas geheimer Krieg in Laos - Die größte Militäroperation der CIA (2009)<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgtZjsAqneJ3Cw3Uj-SEW6-TuDATr-z1kpdYhZXMNmH06iPC6StgZW9DvJe2WrYhWk3pVkj-5MO3LVT3mkJC7lICaXgDCRWsiUjAYXoEDSxSdXGO5SRnU3b18c9iMAQaAKELJUwoAY72VJY/s1600/Plakat.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgtZjsAqneJ3Cw3Uj-SEW6-TuDATr-z1kpdYhZXMNmH06iPC6StgZW9DvJe2WrYhWk3pVkj-5MO3LVT3mkJC7lICaXgDCRWsiUjAYXoEDSxSdXGO5SRnU3b18c9iMAQaAKELJUwoAY72VJY/s400/Plakat.jpg" width="281" /></a></div>
<div style="text-align: justify;">
<span style="font-family: "courier new" , "courier" , monospace;"><span style="font-size: small;">(Documentary film written and directed by <a href="http://www.imdb.com/name/nm1889645/?ref_=tt_ov_dr">Marc Eberle</a>; produced by <a href="http://www.gebrueder-beetz.de/">Gebrüder Beetz Filmproduction</a> with WDR/NDR/ARTE; 75/52/43 min, HD.)</span></span></div>
<div style="text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjOtxoIXlt6m1CRZojtQ3qZHNeJcRg1xQMXy1Pekci649JOyYFUhRPsgsEDWg2bTdr_acdbQtkmzH9d3edPoM-atsS87BVe4SNnSQthSu0PC14zki7yL5RiQ8qbVOnQth8ZQeome9NCHxTP/s1600/Laos_11.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="265" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjOtxoIXlt6m1CRZojtQ3qZHNeJcRg1xQMXy1Pekci649JOyYFUhRPsgsEDWg2bTdr_acdbQtkmzH9d3edPoM-atsS87BVe4SNnSQthSu0PC14zki7yL5RiQ8qbVOnQth8ZQeome9NCHxTP/s400/Laos_11.jpg" width="400" /></a></div>
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<span style="font-family: "courier new" , "courier" , monospace;"><span style="font-size: small;">In 2008, I worked on the voiceover text to this interesting documentary that surely hasn't been seen much within the USA<span style="font-family: "courier new" , "courier" , monospace;">.</span> </span></span></div>
<div style="text-align: center;">
<b><span style="font-family: "courier new" , "courier" , monospace;"><span style="font-size: small;">Trailer:</span></span></b><br />
<iframe allowfullscreen="" frameborder="0" height="420" src="https://www.youtube.com/embed/9fLE6LqXNOg" width="560"></iframe>
<br />
<div style="text-align: justify;">
<span style="font-family: "courier new" , "courier" , monospace;"><span style="font-size: small;">To simply take an excerpt from the documentary's English-language press release:</span></span></div>
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<span style="font-family: "courier new" , "courier" , monospace;"><span style="font-size: small;">"The Vietnam War was the most intensely mediated war ever. However, next door in neighboring Laos, the longest and largest air war in human history was underway, which eventually made Laos the most bombed country on earth. What’s more, outside of Laos no one knew.</span></span></div>
<div style="text-align: justify;">
<span style="font-family: "courier new" , "courier" , monospace;"><span style="font-size: small;">"The Secret War was the largest operation ever conducted by the CIA, yet to this day, hardly anyone knows anything about it. Critics call it the biggest war crime of the Vietnam War era and point to striking similarities to the present conflicts in Iraq and Afghanistan; similarities that were tested and set in motion back in Laos in the 1960s. The use of private contractors, mercenaries, as well as the exclusion of Congress and the press gave the executive branch a free hand to wage unlimited warfare as they saw fit. During the Secret War a bomb load was dropped on Laos every eight minutes over a period of eight years – 2.1 million tons of bombs fell onto this small landlocked South East Asian nation altogether, more than on Europe and the Pacific theatre combined during World War II. Even today much of the countryside is poisoned by Agent Orange and littered with unexploded devices. To date, the country has still not found peace, and remnants of the CIA’s secret army of Hmong hill tribe guerillas continue to clash with Lao government troops. [...]"</span></span></div>
<div style="text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhgoA2TT-t39EeyyjAC4uo-eULo2Cjolt0NY34Dz-O41v4iABhR9rIrFaRUU1dI1bh4OplnZnRo8j3X6djY2D0odL9ggmFojzWMtM-lQEUOlqr_Kord0NAWrSU6aSriTuuIMPoH7-3QYQVK/s1600/Laos_91-613x408.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="265" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhgoA2TT-t39EeyyjAC4uo-eULo2Cjolt0NY34Dz-O41v4iABhR9rIrFaRUU1dI1bh4OplnZnRo8j3X6djY2D0odL9ggmFojzWMtM-lQEUOlqr_Kord0NAWrSU6aSriTuuIMPoH7-3QYQVK/s400/Laos_91-613x408.jpg" width="400" /></a></div>
<div style="text-align: justify;">
<span style="font-family: "courier new" , "courier" , monospace;"><span style="font-size: small;">As an extra added attraction, below you find a video of one of the many wonderful songs sung by <a href="https://en.wikipedia.org/wiki/Ros_Serey_Sothea">Ros Serey Sothea</a> (1948 – 1977), perhaps one of the greatest Cambodian pop singers of the 20th century. Following the Fall of Phnom Penh, she was taken to the Kampong Som province and, presumably, executed. Her remains have yet to be discovered.</span></span></div>
<div style="text-align: center;">
<b><span style="font-family: "courier new" , "courier" , monospace;"><span style="font-size: small;">Ros Serey Sothea sings</span></span></b></div>
<div style="text-align: center;">
<span style="font-family: "courier new" , "courier" , monospace;"><span style="font-size: small;"><b><i>Penh Chet Tae Bong Muoy - A Go Go</i>:</b></span></span><iframe allowfullscreen="" frameborder="0" height="420" src="https://www.youtube.com/embed/O6LT2mAstcY" width="560"></iframe></div>
Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-5007819407758767381.post-88333874157940359472016-07-08T08:07:00.002-07:002016-07-08T08:07:40.565-07:00Life Above the Clouds / Leben über den Wolken (2011)<div style="text-align: justify;">
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<span style="font-weight: normal;"><span style="font-family: "courier new" , "courier" , monospace;"><span style="font-size: small;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiqB0D2MQuBM9JXbmjNLad-GxUlJu5KmQZuQRr_aZgo3jAXWze8ntfkXD_uQ-7KSg4xLmUaw7hHsFSfZuZu1l9Sq644Nvntcyl-3QB_LEJSvYIaI4RnMUqUcpJHzOSfc1MBYIGTy-ckNTh1/s1600/6f51ba23-19ad-4963-8b24-53446d3a77d8.jpeg" style="margin-left: 1em; margin-right: 1em;"><span style="color: black; font-family: "courier new" , "courier" , monospace; font-size: x-small;"><img border="0" height="225" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiqB0D2MQuBM9JXbmjNLad-GxUlJu5KmQZuQRr_aZgo3jAXWze8ntfkXD_uQ-7KSg4xLmUaw7hHsFSfZuZu1l9Sq644Nvntcyl-3QB_LEJSvYIaI4RnMUqUcpJHzOSfc1MBYIGTy-ckNTh1/s400/6f51ba23-19ad-4963-8b24-53446d3a77d8.jpeg" width="400" /></span></a></span></span></span></div>
<div class="MsoNormal">
<span style="font-weight: normal;"><span style="font-family: "courier new" , "courier" , monospace;"><span style="font-size: small;"><span lang="EN-US">(5 x 43 min or 5 x 52 min.) We first took
part in this five-part documentary series way back in 2009, when we translated
an early treatment for <i><a href="http://en.majade.de/">ma.ja.de</a></i>. And then,
as normal in the biz, that was that. We only recently found out that the series
actually got produced as a German-Italian co-production with <i><a href="http://www.stefilm.it/">Stefilm</a></i>.</span></span></span></span></div>
<div class="MsoNormal">
<span style="font-weight: normal;"><span style="font-family: "courier new" , "courier" , monospace;"><span style="font-size: small;"><span lang="EN-US">The description of the series, as found
both on the website of <i>ma.ja.de</i> and of the distributor of the series, <i><a href="http://deckert-distribution.com/">Deckert Distribution</a></i>: "In <b>Life
Above the Clouds</b>, five locations on the European continent are presented where
humans have managed, through perseverance and in a most impressive manner, to
establish themselves 'above the clouds' despite all temptations of a simpler
life further down below. They are one and all an exceptional phenomenon,
for in many places, life at this altitude is threatened by extinction. New EU
directives make the traditional forms of cultivation of many remote locations
impossible, while the new, younger generations dream and desire to take part in
the new globalised world of mobile phones and Internet. Likewise, the regional
administrations and other institutions no longer concern themselves with some
of the distant locations, thus making them uninhabitable. The series not
only presents visually stunning and often extreme lifestyles found somewhere
between heaven and earth, but also tells of the remnants of an ancient world
that is soon to become part of the past."</span></span></span></span></div>
<div class="MsoNormal">
<span style="font-weight: normal;"><span style="font-family: "courier new" , "courier" , monospace;"><span style="font-size: small;"><span lang="EN-US">The authors/directors and their respective
episodes are as follows: <a href="http://titus-faschina.de/TFH/home.html">Titus Faschina</a>, (part 1)
<b>A Fairy-Tale Valley in the Carpathian Mountains</b>; <a href="http://www.imdb.com/name/nm2619536/">Carmen Butta</a> and Anuschka
Seifert, (part 2) <b>A Monastery in the Pyrenees</b>; <a href="http://www.miramontefilm.com/en/team/andreas-pichler/">Andreas Pichler</a>,
(part 3) <b>A Mountain Farmer in South Tyrol</b>; <a href="http://www.imdb.com/name/nm3843347/?ref_=tt_ov_dr">Nikos Dayandas</a> and
<a href="http://www.imdb.com/name/nm1094957/">Stelios Apostolopoulos</a>,
(part 4) <b>In the White Mountains of Crete</b>; and <a href="http://www.rk-film.de/">Reinhard
Kungel</a>, (part 5) <b>In the Hardangerfjord of Norway</b>.</span></span></span></span></div>
</div>
<div style="text-align: center;">
<iframe allowfullscreen="" frameborder="0" height="390" src="https://www.youtube.com/embed/B4lWAkGpupc" width="520"></iframe><br /></div>
<div style="text-align: justify;">
<span style="font-weight: normal;"><span style="font-family: "courier new" , "courier" , monospace;"><span style="font-size: small;"><span lang="EN-US">The only trailer to the series that we
could find online is the super-mini <a href="http://www.arte.tv/de">arte</a>
spot above. <a href="http://www.carlesmestres.com/index_en.html">Carles Mestres</a>,
however, the cinematographer of Carmen Butta and Anuschka Seifert’s
<b>A Monastery in the Pyrenees</b> (<span style="font-family: "courier new" , "courier" , monospace;">p</span>art 2 of the series), put that entire episode
online (non-embeddable and in Italian) <a href="https://vimeo.com/150069010">here.</a></span></span></span></span></div>
Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-5007819407758767381.post-23557732034836092852016-06-27T06:12:00.004-07:002016-07-11T06:24:55.913-07:00Gardenia – Before the Last Curtain Falls / Gardenia – Bevor der letzte Vorhang fällt (2014)<div style="line-height: normal; text-align: justify;">
<div style="line-height: normal;">
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg2R3CdEIZxt7Lsw7-9w2_ofwOrfxc-Ir47iwbwSi1zDaIVwG5CzyBcpLVUSR4R8G3m5HNDLDgGmJiN2OmOivvLJjWUbFuV0eH90kyxZJptUmLQ7KgDHKnxGbhuSDVwFS5hfUVO_GLiHLEd/s1600/14-04-18-Gardenia-poster-engl+Kopie.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg2R3CdEIZxt7Lsw7-9w2_ofwOrfxc-Ir47iwbwSi1zDaIVwG5CzyBcpLVUSR4R8G3m5HNDLDgGmJiN2OmOivvLJjWUbFuV0eH90kyxZJptUmLQ7KgDHKnxGbhuSDVwFS5hfUVO_GLiHLEd/s640/14-04-18-Gardenia-poster-engl+Kopie.jpg" width="449" /></a></div>
<span style="font-family: "courier new" , "courier" , monospace;"><span style="font-kerning: none;">(Documentary, HD, 88 minutes; directed by <a href="http://www.imdb.com/name/nm0909334/?ref_=tt_ov_dr"><span style="color: #042eee; line-height: normal;">Thomas Wallner</span></a>; written by Thomas Wallner & <a href="http://www.imdb.com/name/nm3667746/?ref_=tt_ov_wr"><span style="color: #042eee; line-height: normal;">Eva Küpper</span></a></span><span style="line-height: normal;">.)</span></span></div>
<div style="line-height: normal;">
<span style="font-family: "courier new" , "courier" , monospace; font-kerning: none;">A <a href="http://www.gebrueder-beetz.de/"><span style="color: #042eee; line-height: normal;">Gebrüder Beetz Produktion</span></a>, in coproduction with <a href="http://www.savagefilm.be/home/"><span style="color: #551a8b; line-height: normal;">Savage Film</span></a>, ZDF & Canvas, in association with arte & Telenet, supported by Film- und Medienstiftung NRW, Medienboard Berlin-Brandenburg, FFA - German Federal Film Board, DFFF - German National Film Fund, MEDIA programme of the European Union & Flanders Audiovisual Fund.</span></div>
<div class="separator" style="clear: both; text-align: center;">
</div>
<div style="line-height: normal;">
<span style="font-family: "courier new" , "courier" , monospace; font-kerning: none;">Didn't do a lot on this project, just a synopsis or two. But the documentary is interesting and tragically touching, and well worth seeing if you have the chance. (There's a reason it has reaped in awards and special mentions at all the festivals it’s been screened.)</span></div>
</div>
<div style="line-height: normal; text-align: center;">
<span style="font-family: "courier new" , "courier" , monospace;"><b>Trailer One:</b></span></div>
<div style="text-align: center;">
<span style="font-family: "courier new" , "courier" , monospace;"><iframe allowfullscreen="" frameborder="0" height="315" src="https://www.youtube.com/embed/gBxo1sPi8hM" width="560"></iframe></span></div>
<div style="line-height: normal; text-align: justify;">
<span style="font-family: "courier new" , "courier" , monospace;">In Vancouver, <a href="http://www.straight.com/user/252">Janet Smith</a> of <i><a href="http://www.straight.com/">The Georgia Straight</a></i> had the following to say about the feature-length documentary: "In these days of progress for transgender people, documentary filmmaker Thomas Wallner takes a timely, and artfully constructed, look back at a group of pioneers from the past. The aging stars of <i><b>Gardenia</b></i>, a hit Belgian cabaret show, recollect the pain of boyhood, the introduction of hormones, the life-threatening surgeries abroad, and, in some cases, the need to pay their bills with prostitution. Facing old age, one mourns her lost sexuality, another makes up for her lack of children by working at a hospital ward for sick kids, and a few succumb to loneliness. Wallner intercuts his interviews with avant-garde sequences from the show, producing a deeply moving account of survival, identity, and the healing power of art."</span><br />
<span style="font-family: "courier new" , "courier" , monospace;"><i><a href="http://queerguru.com/">Queer Guru</a></i><i> </i>goes into greater detail in their review found <a href="http://queerguru.com/2015/08/before-the-last-curtain-falls">here</a>. </span></div>
<div style="line-height: normal; text-align: center;">
<span style="font-family: "courier new" , "courier" , monospace;"><span style="font-family: "courier new" , "courier" , monospace;"><b>Trailer Two:</b></span><iframe allowfullscreen="" frameborder="0" height="315" mozallowfullscreen="" src="https://player.vimeo.com/video/93382568" webkitallowfullscreen="" width="560"></iframe></span></div>
<div style="text-align: center;">
<span style="font-family: "courier new" , "courier" , monospace; font-size: xx-small;"><a href="https://vimeo.com/93382568">Before the Last Curtain Falls - Trailer</a> from <a href="https://vimeo.com/gebruederbeetz">gebrueder beetz filmproduktion</a> on <a href="https://vimeo.com/">Vimeo</a>.</span></div>
Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-5007819407758767381.post-51645706272416206202016-06-17T05:04:00.003-07:002016-07-11T06:19:31.599-07:00Torsten Holtz – Half of Life Is Spent Waiting<div style="text-align: justify;">
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<div style="text-align: justify;">
<span style="font-family: "courier new" , "courier" , monospace;"><span style="font-size: small;"><span lang="EN-US">(Bilingual catalog, ISBN-10: 3925782680 / ISBN-13:
978-3925782688, hardcover, 48 pages)</span></span></span></div>
<div class="MsoNormal" style="text-align: justify;">
<span style="font-family: "courier new" , "courier" , monospace;"><span style="font-size: small;"><span lang="EN-US">From 31 March 2011 to 4 June 2011, the young
Berliner artist Torsten Holtz had his first exhibition at <a href="http://www.die-galerie.com/">Die Galerie Frankfurt</a>,
and to the occasion the gallery published this catalog featuring texts by <a href="http://www.volkerstelzmann.de/">Volker Stelzmann</a>, Maren Kirchhoff and <a href="http://www.imdb.com/name/nm6441237/?ref_=fn_al_nm_1">Damiano Femfert</a>.</span></span></span></div>
<div class="MsoNormal" style="text-align: justify;">
<span style="font-family: "courier new" , "courier" , monospace;"><span style="font-size: small;"><span lang="EN-US">I translated the text from German into English. The piece below was in the exhibition
(and sold).</span></span></span><br />
<div style="text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiQCwyB5gjAWlPnuhOD3TD1SHjmrqLlP-wPOcVVgCpoiYkZMbMLK33BP2VxoeTytPRYilBIWNyv-ELWiyeMoTQuIve1OT5b2zj4zWmLpEvvaiDYd9fCUhoXHluAVa9diT_aF40R65azkMzq/s1600/Holtz_Hundeherz_2011_%25C3%2596laufLeinwand_100x70cm_.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiQCwyB5gjAWlPnuhOD3TD1SHjmrqLlP-wPOcVVgCpoiYkZMbMLK33BP2VxoeTytPRYilBIWNyv-ELWiyeMoTQuIve1OT5b2zj4zWmLpEvvaiDYd9fCUhoXHluAVa9diT_aF40R65azkMzq/s400/Holtz_Hundeherz_2011_%25C3%2596laufLeinwand_100x70cm_.jpg" width="282" /></a></div>
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<span style="font-size: small;"><b><span style="font-family: "courier new" , "courier" , monospace;"><span lang="EN-US">Hundeherz / Dogheart </span></span></b><br /><span style="font-family: "courier new" , "courier" , monospace;"><span lang="EN-US">
2011, Oil on canvas, 100 x 70 cm</span></span></span></div>
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<br />
<span style="font-family: "courier new" , "courier" , monospace;"><span style="font-size: small;"><span lang="EN-US"></span></span></span><span style="font-family: "courier new" , "courier" , monospace;"><span style="font-size: small;"><span lang="EN-US"></span></span></span><span style="font-family: "courier new" , "courier" , monospace;"><span style="font-size: small;"><span lang="EN-US"></span><span lang="EN-US"></span></span></span></div>
<div class="MsoNormal" style="text-align: justify;">
<span style="font-family: "courier new" , "courier" , monospace;"><span style="font-size: small;"><span lang="EN-US"></span></span></span></div>
<div class="MsoNormal" style="text-align: justify;">
<span style="font-family: "courier new" , "courier" , monospace;"><span style="font-size: small;"><span lang="EN-US">Over at <a href="http://www.mutualart.com/Exhibitions/Torsten-Holtz--Half-of-Life-Is-Spent-Wai/5F97776FD07877BF#Info"><i>Mutual Art</i></a>,
they more or less said the following about the exhibit: "The first solo
exhibition of the Berlin artist Torsten Holtz (b. 1973) presented by DIE
GALERIE in Frankfurt/Main features a broad selection of about 30 works, created
by the young painter between 2004 and 2011. The show allows the viewer to trace
the artistic development of the master student of Volker Stelzmann, and to
experience an intensive encounter with Holtz' pictorial world. At first glance
his portrayals of figures seem to be easily comprehensible, but upon longer
reflection they begin to bemuse, unsettle, and pose riddles. The artist's
figures watch and wait, silent in quite isolation, and radiate a peculiar,
distanced lack of emotion. <b>'Half of Life
Is Spent Waiting,'</b> explains the artist, who sees the moments of humanity's
existential emptiness described in the literary works of Beckett, Charms, and
Bukowski as the key to his painting. True reality and Torsten Holtz' fantastic
imagination intermesh to create a form of <a href="https://en.wikipedia.org/wiki/Magic_realism">Magic Realism</a>
that is firmly anchored in the here and now of the 21st century."</span></span></span></div>
Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-5007819407758767381.post-54012170425939458592016-06-11T03:06:00.000-07:002016-06-11T03:07:04.571-07:00Houwelandt - Ein Roman entsteht (2005)<div style="text-align: center;">
<span style="font-family: "courier new" , "courier" , monospace;"><span style="font-size: small;">
</span></span><span style="font-family: "courier new" , "courier" , monospace;"><span style="font-size: small;"><span lang="EN-US"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhi5eSqm8QRoVDerrUjJ8Tut71NVpjranitm4GPFN8nLKFwhQcNeQ1GQ70DysA9Zga4U9oydt9aWOn1VdDYwQXCNgrP7ht-O4U_4aqCfK3ihfWhZdw6S0sqzjtRjH_xCq1wrmqWQsDCiPhQ/s1600/19438207.jpg-r_640_600-b_1_D6D6D6-f_jpg-q_x-xxyxx.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="281" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhi5eSqm8QRoVDerrUjJ8Tut71NVpjranitm4GPFN8nLKFwhQcNeQ1GQ70DysA9Zga4U9oydt9aWOn1VdDYwQXCNgrP7ht-O4U_4aqCfK3ihfWhZdw6S0sqzjtRjH_xCq1wrmqWQsDCiPhQ/s400/19438207.jpg-r_640_600-b_1_D6D6D6-f_jpg-q_x-xxyxx.jpg" width="400" /></a></span></span></span></div>
<div style="text-align: justify;">
<span style="font-family: "courier new" , "courier" , monospace;"><span style="font-size: small;"><span lang="EN-US">(Feature-length
documentary, 107 minutes — the title freely translates into "Houwelandt — The Birth of a Novel".)</span></span></span><span style="font-family: "courier new" , "courier" , monospace;"></span><span style="font-family: "courier new" , "courier" , monospace;"><span style="font-size: small;">
</span></span></div>
<div class="MsoNormal" style="text-align: justify;">
<span style="font-family: "courier new" , "courier" , monospace;"><span style="font-size: small;"><span lang="EN-US">Here we have a
documentary written and directed by <a href="http://www.imdb.com/name/nm0012345/?ref_=tt_ov_wr">Jörg Adolph</a>
about, as the title states, the creation of a novel (cover below).</span></span></span></div>
<div class="MsoNormal" style="text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhjXYxzvb9LxxvN43UN3QvU_AzcnkOGm-7zbmvyMk41twnZTruN4CJcSVtuyJDxk_YL_dy7EO3V6UCKOZs107hWsP9ggZLRzLw85U-6YsXKBXqW5FFF2IxFXwdnabUzBBr9YxWudXwraEfd/s1600/51u4id0wi9L._SX312_BO1%252C204%252C203%252C200_.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhjXYxzvb9LxxvN43UN3QvU_AzcnkOGm-7zbmvyMk41twnZTruN4CJcSVtuyJDxk_YL_dy7EO3V6UCKOZs107hWsP9ggZLRzLw85U-6YsXKBXqW5FFF2IxFXwdnabUzBBr9YxWudXwraEfd/s400/51u4id0wi9L._SX312_BO1%252C204%252C203%252C200_.jpg" width="251" /></a><span style="font-family: "courier new" , "courier" , monospace;"><span style="font-size: small;"><span lang="EN-US"></span></span></span></div>
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<span style="font-family: "courier new" , "courier" , monospace;"><span style="font-size: small;"><span lang="EN-US">John von Düffel is an
award-winning German author, and Adolph's film follows him during the creation
and subsequent publication and reception of his novel <b>Houwelandt</b>. As the Berlin newspaper <a href="http://www.tagesspiegel.de/kultur/dokumentation-literaturbetrieb-wird-entlarvt/750380.html"><i>Der Tagesspiegel</i></a>
points out: "He who believes that novels are still written by literary
geniuses alone in a silent closet is a knave. Today, the author presents the
publisher with a concept draft before starting to write."</span></span></span><br />
<span style="font-family: "courier new" , "courier" , monospace;"><span style="font-size: small;"><span lang="EN-US">We did the
subtitles, contracted by <a href="http://www.subs-hamburg.de/">Subs Hamburg</a>.</span></span></span></div>
<span style="font-family: "courier new" , "courier" , monospace;"><span style="font-size: small;">
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</o:shapelayout></xml><![endif]-->Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-5007819407758767381.post-19078003692716289602016-06-04T12:30:00.001-07:002016-06-11T02:56:28.390-07:00Projekt: Superwoman (Austria, 2016)<div style="text-align: center;">
<span style="font-family: "courier new" , "courier" , monospace;"><span style="font-size: small;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj09iVL8VFx5n2-jZz9Lv8B-b5J3NzxJrBncmZgup7Ks3Hle9y43OUtjtp7BDTNcWkrHloMQKEJyEsV_uXLsEmuaqBozFPy1s6xPIQw5LRusGxBlr4WDMw4H2IzQpgndqyEazrt1OAjuXuj/s1600/SUPER_Still-39.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="225" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj09iVL8VFx5n2-jZz9Lv8B-b5J3NzxJrBncmZgup7Ks3Hle9y43OUtjtp7BDTNcWkrHloMQKEJyEsV_uXLsEmuaqBozFPy1s6xPIQw5LRusGxBlr4WDMw4H2IzQpgndqyEazrt1OAjuXuj/s400/SUPER_Still-39.jpg" width="400" /></a></span></span></div>
<div style="text-align: justify;">
<span style="font-family: "courier new" , "courier" , monospace;"><span style="font-size: small;">(<span style="font-family: "courier new" , "courier" , monospace;">D</span>ocumentary film, 90 min., written & directed by Barbara Caspar)<br />As a translator, you sometimes work projects that appear to fall off the face of the earth. Some you never hear of again, others suddenly reappear under a new name or the banner of some other firm than the one that originally contracted your services.</span></span></div>
<div style="text-align: justify;">
<span style="font-family: "courier new" , "courier" , monospace;"><span style="font-size: small;">That's the case with this documentary film, <b>Projekt: Superwoman</b>, the topic of which we found truly intriguing when we translated a treatment for it seven years ago, way back in 2009 — and not for <a href="http://www.lotus-film.at/filme/projekt-superwoman">Lotus Film</a>, the Austrian company releasing it this year.</span></span></div>
<div style="text-align: justify;">
<span style="font-family: "courier new" , "courier" , monospace;"><span style="font-size: small;"><b>Projekt: Superwoman</b> was written and directed by <a href="http://www.imdb.com/name/nm2831109/?ref_=fn_al_nm_2">Barbara Caspar</a>, an art-house documentary director whose taste seems to lean towards absorbing feminist subjects. Here, she tackles the true and relatively unknown story (especially outside of Spain, where it transpired) of the radical proto-feminist Aurora Rodriguez (23 April 1879 — 28 Dec 1955) and her daughter Hildegart, "the Red Virgin".</span></span></div>
<div style="text-align: justify;">
<span style="font-family: "courier new" , "courier" , monospace;"><span style="font-size: small;">Aurora was a firm believer in eugenics who, thanks to an unknown donor found via newspaper advertisements, produced her amazing daughter, Hildegart (born 9 Dec, 1914), a brilliant intellectual prodigy who spoke six languages, possessed a law degree, had written masses of articles and books, and become an international leftist leader all by her late teens. When Hildegart tried to become an independent woman and leave her overbearing and possessive mother for a position as secretary for H.G. Wells, Aurora shot her dead.</span></span></div>
<div style="text-align: center;">
<span style="font-family: "courier new" , "courier" , monospace;"><span style="font-size: small;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgh9WfG9Ef_bHwPYAV5ozLyY7SyYyGgdPiQNcqSGEMyjfknbNM2QXuOLOZS_t-rWTnVmuhRMaHMz0Qs11RSkxbboiU6Bur6ATrNFdwo-1GjGnwV_z4IRlY7WFzMXUJ-Xsawx_5W_RNiIBlw/s1600/SUPER_Still-46.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="225" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgh9WfG9Ef_bHwPYAV5ozLyY7SyYyGgdPiQNcqSGEMyjfknbNM2QXuOLOZS_t-rWTnVmuhRMaHMz0Qs11RSkxbboiU6Bur6ATrNFdwo-1GjGnwV_z4IRlY7WFzMXUJ-Xsawx_5W_RNiIBlw/s400/SUPER_Still-46.jpg" width="400" /></a></span></span></div>
<div class="separator" style="clear: both; text-align: justify;">
<span style="font-family: "courier new" , "courier" , monospace;"><span style="font-size: small;">To paraphrase the Lotus Film website: Casper's documentary, <b>Projekt: Superwoman</b>, tells the story as a mixture of documentary and animation film; she examines the Rodriguez case and explores the extent to which this story reflects current mother-daughter relationships and modern lifestyles.</span></span></div>
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjJI4fJWHvrAsnAPR9yU5KYl5kDo15yVPkY5RkPYyvECmLkJQ4O_QCo8sSkIDFDncVSDv4XsVaaE_0y4b92SmYvyC4V-jyMpimCwElXr8GnGIGpznA2RgCEJYYjAKGstlChNBU41p4ZvCnl/s1600/mi-hija-hildegart.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="167" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjJI4fJWHvrAsnAPR9yU5KYl5kDo15yVPkY5RkPYyvECmLkJQ4O_QCo8sSkIDFDncVSDv4XsVaaE_0y4b92SmYvyC4V-jyMpimCwElXr8GnGIGpznA2RgCEJYYjAKGstlChNBU41p4ZvCnl/s400/mi-hija-hildegart.jpg" width="400" /></a></div>
<div style="text-align: justify;">
<span style="font-family: "courier new" , "courier" , monospace;"><span style="font-size: small;">The story was previously filmed by the Peru-born Spanish filmmaker and actor Fernando Fernán Gómez (28 Aug 1921 — 21 Nov 2007) in 1977 as <b>Mi hija Hildegart </b>/<b> My Daughter Hildegart</b> (poster above), and as a short film </span></span><span style="font-family: "courier new" , "courier" , monospace;"><span style="font-size: small;"><span style="font-family: "courier new" , "courier" , monospace;"><span style="font-size: small;"><span style="font-family: "courier new" , "courier" , monospace;">in </span>2011 </span></span>by Sheila Pye entitled <b>The Red Virgin</b> — "Red Virgin" being the nickname bequeathed Hildegart while still alive.</span></span></div>
<div style="text-align: justify;">
<span style="font-family: "courier new" , "courier" , monospace;"><span style="font-size: small;">The director Boris Undorf, most likely <span style="font-family: "courier new" , "courier" , monospace;">unintentionally</span>, used a riff of the story for his intriguing and unjustly unknown low-budget, US-set horror movie <b>Sonata </b>in 2004.</span></span></div>
<div style="text-align: center;">
<b><span style="font-family: "courier new" , "courier" , monospace;"><span style="font-size: small;">Trailer to</span></span></b><br />
<div style="text-align: center;">
<b><span style="font-family: "courier new" , "courier" , monospace;"><span style="font-size: small;">Boris Undorf's <i>Sonata </i>(2004):</span></span></b>
</div>
</div>
<div style="text-align: center;">
<iframe allowfullscreen="" frameborder="0" height="372" mozallowfullscreen="" src="https://player.vimeo.com/video/16488413" webkitallowfullscreen="" width="540"></iframe>
</div>
<div style="text-align: center;">
<span style="font-size: x-small;"><a href="https://vimeo.com/16488413">"Sonata" (Feature Film) International Trailer</a> from <a href="https://vimeo.com/borisundorf">Boris Undorf</a> on <a href="https://vimeo.com/">Vimeo</a>.</span></div>
Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-5007819407758767381.post-91534321049777664732016-05-24T10:45:00.000-07:002016-05-24T10:45:53.756-07:00The Importance of Grammar, Part IV<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiOxIBd-OlFXUlVL0uko8R8kCbV9dYw2iQC-HbX0NN3JeIoYt6ENTeXt03HlzgNzm1xpxOlS_ySdi8lLYUQ6o5VxQAR4pNWPHaO0oRphJkV1czftbZbD9oiwjrUbIcFRFhLg7E05HVRgVaE/s1600/MjAxMi02ODgxNjg1YTE2YzJlMGY5.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="280" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiOxIBd-OlFXUlVL0uko8R8kCbV9dYw2iQC-HbX0NN3JeIoYt6ENTeXt03HlzgNzm1xpxOlS_ySdi8lLYUQ6o5VxQAR4pNWPHaO0oRphJkV1czftbZbD9oiwjrUbIcFRFhLg7E05HVRgVaE/s400/MjAxMi02ODgxNjg1YTE2YzJlMGY5.png" width="400" /></a></div>
Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-5007819407758767381.post-26736561070415487102016-05-17T06:06:00.001-07:002016-06-11T03:01:54.877-07:00Fokus Figur: 30 Jahre Die Galerie / Focus Figure: 30 Years of Die Galerie.<div style="text-align: justify;">
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<div class="separator" style="clear: both; text-align: center;">
<span style="font-size: small;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgztyZrTx5aIXoQobZRGwlmkuXJ_JGIDBU10MwoJQz1a914nOX4XnB5p6d3efBBTSIZBoyQ6JciVrKYkG6wam_xVWBrUDwpb8GIocpAVMlaxIHgj0yn9ekc8FL-f6Ch-_933S0Wn4rL5EXC/s1600/12640291108.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgztyZrTx5aIXoQobZRGwlmkuXJ_JGIDBU10MwoJQz1a914nOX4XnB5p6d3efBBTSIZBoyQ6JciVrKYkG6wam_xVWBrUDwpb8GIocpAVMlaxIHgj0yn9ekc8FL-f6Ch-_933S0Wn4rL5EXC/s400/12640291108.jpg" width="291" /></a><span style="font-family: "courier new" , "courier" , monospace;"><span lang="EN-US"></span></span></span></div>
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<span style="font-size: small;"><span style="font-family: "courier new" , "courier" , monospace;"><span lang="EN-US">(Bilingual
catalog [G&E], hardcover, 144 pages. With shorts texts by Corneille, Klaus
Zylla, Franz Hitzler, Volker Stelzmann, Eckhard Kremers, Sandra Brandels
Crawford, Heiner Meyer, Joram Harel, Roberta Baj, Tony Swaanswijk, Hans
Brockstedt, Daniel Boulakia, Jane Sung, Ingeborg Flagge, Daiga Upeniece, Volker
Hauff, Jürgen Jeske, Marika de Feo and others.]</span></span></span></div>
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<![endif]--><b><span style="font-family: "courier new" , "courier" , monospace;"><span style="font-size: x-small;"><span lang="EN-US">André Masson, <i>Femme tenant un oiseau</i> </span></span></span></b><br />
<b><span style="font-family: "courier new" , "courier" , monospace;"><span style="font-size: x-small;"><span lang="EN-US">(1924, oil on canvas, 55.2 x 33 cm)</span></span></span></b><br />
<div style="text-align: justify;">
<span style="font-size: small;"><span style="font-family: "courier new" , "courier" , monospace;"><span lang="EN-US">The exhibition <b>Focus Figure: 30 Years of
Die Galerie </b>ran from 2 Sept. – 7 Nov. 2009 at <a href="http://www.die-galerie.com/">Die Galerie, Frankfurt</a>, and included the work of approx.
40 artists.</span></span></span></div>
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<span style="font-size: small;"><span style="font-family: "courier new" , "courier" , monospace;"><span lang="EN-US">To quote the press release:</span></span></span></div>
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<span style="font-size: small;"><span style="font-family: "courier new" , "courier" , monospace;"><span lang="EN-US">"When founded in 1979, the initial
focus of DIE GALERIE was on printed works. Since then, DIE GALERIE has evolved
into an internationally active art dealership of high-quality art of the 20<sup>th</sup>
and 21<sup>st</sup> centuries. […] DIE GALERIE moved into its prestigious space
in the Frankfurt Westend in 1995, and the change of location was accompanied by
a change of activities. Since then, the gallery has concentrated on gallery
work, presentations at international art fairs, and the communication between
artists, collectors and museums. […] When it comes to the representation of the
interests of his artists, Peter Femfert cooperates with galleries in (among
other places) France, Italy and Spain, takes advantage of an international network
of connections, supplies his exhibitions to prestigious institutions or uses
his enthusiasm and persistence to instigate sensational exhibitions […]."</span></span></span><br />
<div style="text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhQG_v0UsIkz8occQgHxq9Eq-iBNgCW8Gf9azK_PDr2lQYxgYW9cW7quJI9WtpFly2NEljkIOW6hsjglJ6KDW_HCyk3rUyg01BlWxFwKTMNp9zQZgjd3ssLAd4xjqHO_HB2HBIlKHlKXbAf/s1600/pierre-alechinsky-lage-dorange.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="244" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhQG_v0UsIkz8occQgHxq9Eq-iBNgCW8Gf9azK_PDr2lQYxgYW9cW7quJI9WtpFly2NEljkIOW6hsjglJ6KDW_HCyk3rUyg01BlWxFwKTMNp9zQZgjd3ssLAd4xjqHO_HB2HBIlKHlKXbAf/s320/pierre-alechinsky-lage-dorange.jpg" width="320" /></a><span style="font-family: "courier new" , "courier" , monospace;"><span style="font-size: x-small;"><span lang="EN-US"></span><span lang="EN-US"></span></span></span></div>
<div style="text-align: center;">
<b><span style="font-family: "courier new" , "courier" , monospace;"><span style="font-size: x-small;"><span lang="EN-US">Pierre Alechinsky, <i>L’Âge d’orange</i></span></span></span><span style="font-family: "courier new" , "courier" , monospace;"><span style="font-size: x-small;">
</span></span></b></div>
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<b><span style="font-family: "courier new" , "courier" , monospace;"><span style="font-size: x-small;"><span lang="EN-US">(1970, acrylic on paper on canvas, 115 x
151 cm<span style="font-family: "courier new" , "courier" , monospace;">)</span></span></span></span></b></div>
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<span style="font-size: small;"><span style="font-family: "courier new" , "courier" , monospace;"><span lang="EN-US">"The
thematic centre that bonds all activities of DIE GALERIE is the presentation of
the figure, the visual exploration of the topic of mankind in its most varied
shapes and forms. Indeed, the identity of a gallery is defined much more by the
art and character of 'its' artists than by the sum of its activities. In this
way DIE GALERIE has developed a face, a distinctive physiognomy, which reflects
the signs of its age with pride and a portion of humor."</span></span></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiRM186JNabIk8H9XyXvU8hFATLM89erBRhIQQjm05fYBDG4fRLoTqzXIXWSfp8LuxXrki0NqSLNPV7LfTUv-L8DCwhWQIn-IO9XIX3YMGCsqT6QdWMfHWgMyzIasCCRuT1hfiJ71Pyyb9c/s1600/Combas.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiRM186JNabIk8H9XyXvU8hFATLM89erBRhIQQjm05fYBDG4fRLoTqzXIXWSfp8LuxXrki0NqSLNPV7LfTUv-L8DCwhWQIn-IO9XIX3YMGCsqT6QdWMfHWgMyzIasCCRuT1hfiJ71Pyyb9c/s400/Combas.jpg" width="391" /></a><br />
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<![endif]--><b><span style="font-size: x-small;"><span lang="EN-US"><span style="font-size: small;"><span style="font-family: "courier new" , "courier" , monospace;"><span lang="EN-US"><span style="font-size: x-small;"><span lang="EN-US">Robert Combas, <i>Le Guépard rayé</i></span></span></span></span></span></span></span></b></span></span></span><br />
<div class="MsoNormal">
<span style="font-size: small;"><span style="font-family: "courier new" , "courier" , monospace;"><span lang="EN-US"><b><span style="font-size: x-small;"><span lang="EN-US"><span style="font-size: small;"><span style="font-family: "courier new" , "courier" , monospace;"><span lang="EN-US"><span style="font-size: x-small;"><span lang="EN-US"> </span></span></span></span></span>(2007, acrylic on canvas, 210 x 205 cm<span style="font-size: small;"><span style="font-family: "courier new" , "courier" , monospace;">)</span></span></span></span></b><span style="font-size: small;"><span style="font-family: "courier new" , "courier" , monospace;"><span lang="EN-US"> </span></span></span></span></span></span></div>
<div style="text-align: justify;">
<span style="font-size: small;"><span style="font-family: "courier new" , "courier" , monospace;"><span lang="EN-US">"And
exactly that will be obvious to see at the anniversary exhibition <b><i>FOCUS
FIGURE</i></b> […]. All artists of DIE GALERIE are involved and will be
present, either in person or represented by their art work. The exhibition
takes you from the obsessed figures of <b>André Masson </b>to <b>Max Ernst</b>'s
alter ego <i>Loplop</i>; from <b>Jean Dubuffet</b>'s 'raw' friends, <b>Karel
Appel</b>'s wind-twisted forms, <b>Corneille</b>'s sensual women, <b>Lucebert</b>'s
gnomes, <b>Rudolf Hausner</b>'s self-portraits, <b>Valerio Adami</b>'s
characters of the Old Testament and <b>Emilio Tadini</b>'s fairytale figures to
the contemporary representation of the figure: the emotive of <b>Dieter Hacker</b>,
the vulnerable of <b>Eckhard Kremers</b>, the shrill of <b>Heiner Meyer</b>,
the audacious of <b>Klaus Zylla</b>, the voiceless of <b>Volker Stelzmann</b>,
the melancholic of <b>Igor Mitoraj </b>and the angularly chiseled of <b>Dietrich
Klinge</b>."</span></span></span></div>
</div>
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<span style="font-size: x-small;"><span style="font-family: "courier new" , "courier" , monospace;"><span lang="EN-US">All
art images taken from the gallery's press release.</span></span></span></div>
Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-5007819407758767381.post-36945312067105938752016-05-08T05:33:00.004-07:002016-06-11T03:01:20.297-07:00Iceland's Artists and Sagas / Islands Künstler und die Sagas (2011)<div style="text-align: center;">
<span style="font-family: "courier new" , "courier" , monospace;"><span style="font-family: "courier new" , "courier" , monospace; font-size: small;"><span style="font-size: x-small;"><span lang="EN-US" style="font-size: 12.0pt; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;"><span style="font-family: "courier new" , "courier" , monospace;"><span style="font-size: x-small;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEha3bxy52ig8BnOlv3wDVT5ynU_A8T98m8fWjalNzsmhq4vPONXOaTW0KaOROD-Db2ysjP1APbZxAOgBwvsR1Fdtz6WruM-Ob_svF6Mx_gUiWDC8nKORAAtjAc8wcSjSE9TCw82KiiZmFl8/s1600/84840_310x459.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEha3bxy52ig8BnOlv3wDVT5ynU_A8T98m8fWjalNzsmhq4vPONXOaTW0KaOROD-Db2ysjP1APbZxAOgBwvsR1Fdtz6WruM-Ob_svF6Mx_gUiWDC8nKORAAtjAc8wcSjSE9TCw82KiiZmFl8/s640/84840_310x459.jpg" width="432" /></a></span></span></span></span></span></span></div>
<div style="text-align: justify;">
<span style="font-size: xx-small;"><span style="font-family: "courier new" , "courier" , monospace;"><span style="font-family: "Courier New",Courier,monospace;"><span style="font-size: small;">(Documentary, 52 min, HD, 2011; A <a href="http://www.gebrueder-beetz.de/">Gebrueder Beetz Filmproduktion</a> in coproduction with ZDF, <a href="http://www.navigatorfilm.com/">Navigator Film</a>, RUV, ORF and Swiss Television, in cooperation with ARTE. Idea und concept, <a href="http://helgabrekkan.jimdo.com/">Helga Brekkan</a> & <a href="http://annettebrueggemann.com/">Annette Brüggemann</a>; direction, Helga Brekkan.)</span></span></span></span><br /><span style="font-size: xx-small;"><span style="font-family: "courier new" , "courier" , monospace;"><span style="font-family: "Courier New",Courier,monospace;"><span style="font-size: small;">Sometime in 2010, I translated the voiceover text for this documentary into English. Released in 2011, Iceland's Artists and the Sagas is narrated by the talented actress and voiceover artist, <a href="https://www.schauspielervideos.de/fullprofile/schauspielerin-priscilla-bergey.html">Priscilla Bergey</a>, whom I am more than willing to recommend to anyone in need of a narrator for a film project.</span></span></span></span><br /><span style="font-size: xx-small;"><span style="font-family: "courier new" , "courier" , monospace;"><span style="font-family: "Courier New",Courier,monospace;"><span style="font-size: small;">To simply quote the Gebrueder Beetz press release: "Frosty glaciers and hot springs, dark winter days and bright summer nights – Iceland is a country of the extremes. Not only is the nature in Iceland astonishing: ancient sagas, crime stories, eccentric video art, and enigmatic music are a testimonial for the country's unique art scene. The small island in the Atlantic Ocean is not just a geological hotspot, but also a creative one. In times like these, with the impacts of the global financial crisis visible everywhere in Iceland, the values of these cultural resources become evident. The bubble of fast money has burst, but people still have their fantasy, their poetry and their ability to tell a good tale to hold on to. After all, it was Icelandic sagas that gave birth to the hero, the story of an individual human being, long before the first European medieval romance thought of it. […] The documentary Iceland's Artists and the Sagas not only gives an insight into the creative energy of the country; following the steps of some of Iceland's most famous artists, writers and musicians, it also explores the very nature of this creativity that drives and defines an entire country." </span></span></span></span></div>
<div style="text-align: center;">
<span style="font-family: "courier new" , "courier" , monospace;"><span style="font-size: small;"><iframe allowfullscreen="" frameborder="0" height="360" mozallowfullscreen="" src="https://player.vimeo.com/video/44507590" webkitallowfullscreen="" width="540"></iframe></span></span>
</div>
<div style="text-align: center;">
<span style="font-family: "courier new" , "courier" , monospace; font-size: x-small;"><span style="font-size: x-small;"><a href="https://vimeo.com/44507590">Iceland’s Artists and Sagas</a> </span></span><br />
<span style="font-family: "courier new" , "courier" , monospace; font-size: x-small;"><span style="font-size: x-small;">from <a href="https://vimeo.com/gebruederbeetz">gebrueder beetz filmproduktion</a> on <a href="https://vimeo.com/">Vimeo</a>.</span></span></div>
Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-5007819407758767381.post-29231642658692803862016-04-24T10:45:00.002-07:002016-04-24T10:45:26.457-07:00The Breeding of a Super Race (2009)<div style="text-align: center;">
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<span style="font-family: "courier new" , "courier" , monospace;"><span style="font-size: small;"><span lang="EN-US">(Documentary
film, 52 min., by Boris Rabin aka </span><a href="http://www.imdb.com/name/nm3704878/"><span class="itemprop"><span lang="EN-US">Boris Karadzhev</span></span></a><span lang="EN-US">;
</span><span lang="EN-US">a German-Russian co-production of arte,
Lichtfilm, Mirumir and MDR.</span><span class="itemprop"><span lang="EN-US">)</span></span></span></span></div>
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<span style="font-family: "courier new" , "courier" , monospace;"><span style="font-size: small;"><span lang="EN-US">When I translated a treatment <span style="font-family: "courier new" , "courier" , monospace;">for </span>this documentary in
2008 for </span><span lang="EN-US"><a href="http://www.lichtfilm.de/en/">Lichtfilm GmbH</a>,
Cologne</span><span lang="EN-US">, the working title was still <b>Creating a New</b> <b>Human
Race in the Soviet Union</b> </span><span lang="EN-US">/ </span><b><span lang="EN-US">Menschenlabor Sowjetunion</span></b><span lang="EN-US">; the latter, the German title, seems
to have been <span style="font-family: "courier new" , "courier" , monospace;">retained</span>.</span></span></span></div>
<div class="MsoNormal" style="text-align: justify;">
<span style="font-family: "courier new" , "courier" , monospace;"><span style="font-size: small;"><span lang="EN-US">Oddly
enough, at Lichtfilm, the website proclaims the English title as</span><b><span lang="EN-US"> <a href="http://www.lichtfilm.de/en/films/film-catalogue/481-menschenlabor-sowjetunion1">The Breading of a Super Race</a></span></b><span lang="EN-US">, </span></span></span><span style="font-family: "courier new" , "courier" , monospace;"><span style="font-size: small;"><span lang="EN-US"><span style="font-family: "courier new" , "courier" , monospace;"><span style="font-size: small;"><span lang="EN-US">a title given after my involvement and
that </span></span></span>makes me think of </span></span></span><a href="https://www.google.de/search?q=chicken+kiev&biw=1472&bih=708&source=lnms&tbm=isch&sa=X&sqi=2&ved=0ahUKEwjApai-6afMAhVqI8AKHflxBTYQ_AUIBigB"><span style="font-family: "courier new" , "courier" , monospace;"><span style="font-size: small;"><span lang="EN-US"><span style="font-family: "courier new" , "courier" , monospace;"><span style="font-size: small;"><span lang="EN-US"><span style="font-family: "courier new" , "courier" , monospace;"><span style="font-size: small;"><span lang="EN-US">Cannibal </span></span></span></span></span></span>Kiev</span></span></span></a><span style="font-family: "courier new" , "courier" , monospace;"><span style="font-size: small;"><span lang="EN-US">. (Is the <span style="font-family: "courier new" , "courier" , monospace;">reference </span>too obscure to be <span style="font-family: "courier new" , "courier" , monospace;">understood?</span>) <span style="font-family: "courier new" , "courier" , monospace;">In any event</span>, the title does not seem to appear on the DVD cover, as one can see above, or in the film credit sequence</span></span></span></div>
<div style="text-align: justify;">
<span style="font-family: "courier new" , "courier" , monospace;"><span style="font-size: small;">
</span></span></div>
<div class="MsoNormal" style="text-align: center;">
<span style="font-family: "courier new" , "courier" , monospace;"><span style="font-size: small;"><b><span lang="EN-US">First 8.5 Minutes –</span></b></span></span><br />
<span style="font-family: "courier new" , "courier" , monospace;"><span style="font-size: small;"><b><span lang="EN-US">in German:</span></b></span></span></div>
<div style="text-align: center;">
<span style="font-family: "courier new" , "courier" , monospace;"><span style="font-size: small;">
<iframe allowfullscreen="" frameborder="0" height="315" src="https://www.youtube.com/embed/_rLFHxyrTJ0" width="560"></iframe>
</span></span></div>
<div class="MsoNormal" style="text-align: justify;">
<span style="font-family: "courier new" , "courier" , monospace;"><span style="font-size: small;"><span lang="EN-US">The film
description at </span><span lang="EN-US">Lichtfilm's</span><span lang="EN-US"> website, like most of their film
descriptions, was probably supplied by <a href="https://translate.google.de/?hl=de">Google Translator</a></span><span lang="EN-US">
— <a href="http://www.abraham-translations.de/">Abraham Translations</a>
definitely did NOT do it. It seems to be the description used everywhere on-line,
and is such a damning example of "Denglish" (Deutsch + English =
Denglish) that we won't use it here.</span></span></span></div>
<div class="MsoNormal" style="text-align: justify;">
<span style="font-family: "courier new" , "courier" , monospace;"><span style="font-size: small;"><span lang="EN-US"></span></span></span></div>
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<span style="font-family: "courier new" , "courier" , monospace;"><span style="font-size: small;"><span lang="EN-US"></span></span></span></div>
<div class="MsoNormal" style="text-align: center;">
<span style="font-family: "courier new" , "courier" , monospace;"><span style="font-size: small;"><span lang="EN-US"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj2l2fFF7F8W0XAk9L7HBukhuPf3ERYn5GChBSr__YMphFgj7AqtwuxeqYS4EREC-n9H4RBn-ot8Fft0muu5yXK2kk1W_b-EsX2YrOhXiTj7Oc2Nxa0oT2uw8hADWtpUHD8njYuy4vTAbYp/s1600/TEL_0067502_S_01_XX_big.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="228" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj2l2fFF7F8W0XAk9L7HBukhuPf3ERYn5GChBSr__YMphFgj7AqtwuxeqYS4EREC-n9H4RBn-ot8Fft0muu5yXK2kk1W_b-EsX2YrOhXiTj7Oc2Nxa0oT2uw8hADWtpUHD8njYuy4vTAbYp/s400/TEL_0067502_S_01_XX_big.jpg" width="400" /></a></span></span></span><br />
<div style="text-align: justify;">
<span style="font-family: "courier new" , "courier" , monospace;"><span style="font-size: small;"><span lang="EN-US">In short, <b>The Breeding of a Super Race</b> documents and
traces the various aspects of the Soviet Union's attempts, following the death of
Lenin, to create a "new man", be it for use</span><span class="Nicht-proportionalerText"> as a soldier during war, for hard labor</span><span class="Nicht-proportionalerText"><span lang="EN-GB">, or for</span></span><span class="Nicht-proportionalerText"> laboratory testing</span><span lang="EN-GB">. Aspects touched upon in the film
include </span><span lang="EN-US"><span style="font-family: "courier new" , "courier" , monospace;">cross-breeding</span> between man and ape, <span style="font-family: "courier new" , "courier" , monospace;"><span style="font-family: "courier new" , "courier" , monospace;">rejuvenation</span> </span>by blood transfer, fixing conditional reflexes to genes, and artificially
inseminating women by the sperm of geniuses.</span></span></span></div>
</div>
<div style="text-align: justify;">
<span style="font-family: "courier new" , "courier" , monospace;"><span style="font-size: small;">
</span></span></div>
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<![endif]-->Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-5007819407758767381.post-94641691461284692016-04-15T11:41:00.001-07:002016-04-15T11:41:12.095-07:00The Slumbers<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiqtEViorFMKtm0ZdEbE92vHLH77YWu4dYDQ5gZ94bfeXJt9IpK1X6Ipw-SXJTjic6-fuL3O4s_drk8iqS2gNrnebFFCa-1U2FeyVjbrciG11zwjFe2m1kgQ0djraCbTW7AlLMe5Scwsrup/s1600/daisy.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="265" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiqtEViorFMKtm0ZdEbE92vHLH77YWu4dYDQ5gZ94bfeXJt9IpK1X6Ipw-SXJTjic6-fuL3O4s_drk8iqS2gNrnebFFCa-1U2FeyVjbrciG11zwjFe2m1kgQ0djraCbTW7AlLMe5Scwsrup/s400/daisy.jpg" width="400" /></a></div>
<div style="text-align: justify;">
<span style="font-family: "courier new" , "courier" , monospace;"><span style="font-size: small;"><span lang="EN-US">Here's something
that I worked on briefly: I translated a detailed project description to it way back in
2013.</span></span></span></div>
<div style="text-align: justify;">
<span style="font-family: "courier new" , "courier" , monospace;"><span style="font-size: small;"><span lang="EN-US">Normally, as the project hasn't been realized yet, I wouldn't present it
here due to reasons of client confidentiality (which is golden here at Abraham
Translations).<span style="font-family: "courier new" , "courier" , monospace;"> </span>BUT: the production firm itself, <a href="http://bastei-media.de/">Bastei-Media</a>, already has all the
info I supply here on their own website, and all I'm doing it reiterating
information they themselves have already made public about the project. They even
supply some nice illustrations to <b><i>The Slumbers</i></b>, one of which is found
above, at their <a href="http://bastei-media.de/transmedia/slumbers">webpage to the project</a>.</span></span></span></div>
<div style="text-align: justify;">
<span style="font-family: "courier new" , "courier" , monospace;"><span style="font-size: small;"><span lang="EN-US">To simply supply
a loose English translation of the German description of the project found on
the website: "<b><i>The Slumbers</i></b>. You think you know all about fairytales — but
you've never heard of Morraga, Agrapok, and Sobothan? Then it's time for you to
discover the world of the Slumbers! Fairytales as we know them only offer half
the truth. The true heroes are not Snow White, the Frog Prince, or Sleeping Beauty's
prince. The real heroes are the Slumbers! For they possess the unique ability
to make all wishes reality ... providing there are enough of them
around. But the evil witch Morraga wants to seize the power of granting wishes
all for herself and become the ruler of the Kingdom of Fairytales. And she is
close to succeeding. Were there not Agrapok, the littlest of all Slumbers. Joining
forces with two children from the world of humans, Agrapok undertakes to defeat
the witch Morraga and her evil spirits. <b><i>The
Slumbers</i></b> is an interactive story universe in which the [animated] series,
game, and book <span style="font-family: "courier new" , "courier" , monospace;">merge</span> to create an exciting adventure."</span></span></span></div>
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<![endif]-->Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-5007819407758767381.post-49160688969488610192016-04-10T09:29:00.000-07:002016-04-10T09:29:02.520-07:00Asger Jorn<!--[if gte mso 9]><xml>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgOd7p0OL2JiqZ7jyP5JvOunwItOQWafqpzxuWrsp1qveC6qMurtejAHqT53X_jmgTrUU0TMHEqCqO0hiGrXHqVMvZho57MhIY7cRjR0rMm37Kq0XztcP4N6weNqfkqZCUs56sp1h8iunIk/s1600/%252C204%252C203%252C200_.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgOd7p0OL2JiqZ7jyP5JvOunwItOQWafqpzxuWrsp1qveC6qMurtejAHqT53X_jmgTrUU0TMHEqCqO0hiGrXHqVMvZho57MhIY7cRjR0rMm37Kq0XztcP4N6weNqfkqZCUs56sp1h8iunIk/s400/%252C204%252C203%252C200_.jpg" width="323" /></a><span style="font-family: "Courier New",Courier,monospace;"><span style="font-size: small;"><span lang="EN-US"></span></span></span></div>
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<span style="font-family: "Courier New",Courier,monospace;"><span style="font-size: small;"><span lang="EN-US">(ISBN-10: 3925782796 / ISBN-13:
978-3925782794) </span></span></span></div>
<div style="text-align: justify;">
<span style="font-family: "Courier New",Courier,monospace;"><span style="font-size: small;">
</span></span></div>
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<span style="font-family: "Courier New",Courier,monospace;"><span style="font-size: small;"><span lang="EN-US">Born Asger Oluf Jørgensen on 3 March in
Vejrum, Jutland (Denmark), the artist died on 1 May 1973 Aarhus, Jutland
(Denmark).<span> </span>Jorn, along with Karel Appel,
Corneille, Christian Dotrement and Joseph Noiret, founded the one of my favorite post-war avante-garde movement, the highly influential group known as <a href="https://en.wikipedia.org/wiki/COBRA_%28avant-garde_movement%29">CoBrA</a> in 1948.</span></span></span></div>
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<span style="font-family: "Courier New",Courier,monospace;"><span style="font-size: small;"><span lang="EN-US">This catalog was published by <a href="http://www.die-galerie.com/">Die Galerie</a>,
Frankfurt, on
the occasion of their exhibition on the artist, which ran September 5 - November
9, 2013. The bilingual (German & English), 96-page catalog includes texts by
<a href="https://en.wikipedia.org/wiki/Pierre_Alechinsky">Pierre Alechinsky</a>,
<a href="https://en.wikipedia.org/wiki/Corneille_Guillaume_Beverloo">Corneille</a>,
Asger Jorn, <a href="https://dk.linkedin.com/in/hanne-lundgren-nielsen-ba45651b">Hanne Lundgren-Nielsen</a>,
<a href="http://www.nato.int/cv/permrep/da/da-e.htm">Per Poulsen-Hansen</a> and Peter Femfert, the gallerist.</span></span></span></div>
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<span style="font-family: "Courier New",Courier,monospace;"><span style="font-size: small;"><span lang="EN-US"><b>From the exhibition: </b></span></span></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjn-agcmAPYOpZpn4NGblaUu9V6YX48oYLLOho1v5xyfZnHv3V18nLFMqj5UtwQbX3JpKsE_7MU5yji2m9fMstgZIGVHI99virkSJp4T4Kq2sMn1F9rizFDxmCfQJ9_pBHkgR4j4rfYRx9n/s1600/asgar.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjn-agcmAPYOpZpn4NGblaUu9V6YX48oYLLOho1v5xyfZnHv3V18nLFMqj5UtwQbX3JpKsE_7MU5yji2m9fMstgZIGVHI99virkSJp4T4Kq2sMn1F9rizFDxmCfQJ9_pBHkgR4j4rfYRx9n/s320/asgar.jpg" width="254" /></a><span style="font-family: "Courier New",Courier,monospace;"></span></div>
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<span style="font-family: "Courier New",Courier,monospace;"><span style="font-size: small;"><span lang="EN-US"></span></span></span><b><span style="font-size: x-small;"><span style="font-family: "Courier New",Courier,monospace;"><span lang="EN-US">Asger Jorn: <i>Advanced Anti Geometric Space</i>, 1963</span></span></span></b></div>
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<span style="font-family: "Courier New",Courier,monospace;"><span style="font-size: small;"><span lang="EN-US">The English press release which I
translated includes the following: "This extensive exhibition featuring a broad
selection of about 50 different works by the Danish artist Asger Jorn
(1914-1973) is the prelude to a renewed and intensive involvement with the
pioneering artist of the 20th century and, at the same time, an allusion to the
100th anniversary of the birth of Asger Jorn on March 3, 1914.</span></span></span></div>
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<span style="font-family: "Courier New",Courier,monospace;"><span style="font-size: small;"><span lang="EN-US">"In a retrospective that spans all the work
phases of the artist from 1937 to 1972 and includes paintings and works on
paper as well as ceramics and sculptures, the artist Asger Jorn is both
recognized and honored as a painter and art theorist who decidedly influenced and
inspired both the work of the artist group CoBrA as well as all of Europe with
his concepts of artistic expression free of all norms and conventions. His life
was characterized by an exuberant and limitless joy of experimentation and
discovery. [...]"</span></span></span></div>
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<![endif]-->Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-5007819407758767381.post-40203454483053651712016-03-26T04:07:00.002-07:002016-03-26T04:07:30.266-07:00Hotel Sahara (2008) <div style="text-align: center;">
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</xml><![endif]--><span style="font-family: "courier new" , "courier" , monospace;"><span style="font-size: small;"></span></span><span style="font-family: "courier new" , "courier" , monospace;"><span style="font-size: small;"><span lang="EN-US"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj89vIQ1_HrP8Vn107-oAErH9eDERYwkoIi4SdYW70p80PkaqQvzMNDFoBrckbz0cup2FIEs4OGte0qk8GKts8C5ztPz01ophTZz777XrdHbztr9ayLeJsDlCyZdo87kwnqi70KXHJTBtkG/s1600/HotelSahara-Cover-194472.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj89vIQ1_HrP8Vn107-oAErH9eDERYwkoIi4SdYW70p80PkaqQvzMNDFoBrckbz0cup2FIEs4OGte0qk8GKts8C5ztPz01ophTZz777XrdHbztr9ayLeJsDlCyZdo87kwnqi70KXHJTBtkG/s400/HotelSahara-Cover-194472.jpg" width="282" /></a> </span></span></span></div>
<div style="text-align: justify;">
<span style="font-family: "courier new" , "courier" , monospace;"><span style="font-size: small;"><span lang="EN-US">(Documentary, 86/52min,
written and directed by <a href="http://www.filmportal.de/person/bettina-haasen_719b903fcbef4f42b0f7f30ca7e49a96">Bettina Haasen</a><span style="font-family: "courier new" , "courier" , monospace;">,</span>
produced by <a href="http://www.gebrueder-beetz.de/produktionen/hotel-sahara-2">Gebrueder Beetz Filmproduktion</a></span></span></span><span style="font-family: "courier new" , "courier" , monospace;"><span style="font-size: small;"><span lang="EN-US">,
development funded by Media Development and UNESCO, production funded by FFA
Filmförderungsanstalt, DFFF, Medienboard Berlin-Brandenburg<span style="font-family: "courier new" , "courier" , monospace;">,</span> and MEDIA Program.)</span></span></span></div>
<div style="text-align: justify;">
<span style="font-family: "courier new" , "courier" , monospace;"><span style="font-size: small;"><span lang="EN-US">Some projects go
a long way back. My first involvement with this project was in 2005, when I
translated some early documents related to the film’s development. I was to
work on and off on various texts for the next two or three years. Then, as
normal, nothing — until one day I noticed that the documentary film had been
released. (Often I find that out accidentally when channel hopping and I catch
this or that production I once worked on being broadcast on arte, 3Sat or some German
regional broadcaster.)</span></span></span><b><span style="font-family: "courier new" , "courier" , monospace;"><span style="font-size: small;"><span lang="EN-US"> </span></span></span></b></div>
<div style="text-align: center;">
<b><span style="font-family: "courier new" , "courier" , monospace;"><span style="font-size: small;"><span lang="EN-US">Trailer</span></span></span></b></div>
<div style="text-align: center;">
<span style="font-family: "courier new" , "courier" , monospace;"><span style="font-size: small;">
<iframe allowfullscreen="" frameborder="0" height="400" mozallowfullscreen="" src="https://player.vimeo.com/video/44507588?color=ffffff" webkitallowfullscreen="" width="500"></iframe>
</span></span><br />
<span style="font-family: "courier new" , "courier" , monospace; font-size: x-small;"><span style="font-size: x-small;"><a href="https://vimeo.com/44507588">Hotel Sahara</a> from <a href="https://vimeo.com/gebruederbeetz">gebrueder beetz filmproduktion</a> on <a href="https://vimeo.com/">Vimeo</a>.</span></span><br />
<span style="font-family: "courier new" , "courier" , monospace;"><span style="font-size: small;">
</span></span></div>
<div style="text-align: justify;">
<span style="font-family: "courier new" , "courier" , monospace;"><span style="font-size: small;"><span lang="EN-US">To use the
synopsis at Gebrueder Beetz: <span style="font-family: "courier new" , "courier" , monospace;">"</span>A dead-straight, endless road leading to nowhere.
And at the end of the road: <a href="https://en.wikipedia.org/wiki/Nouadhibou">Nouadhibou</a>, a town in the West African country
<a href="https://en.wikipedia.org/wiki/Mauritania">Mauritania</a>,<b>*</b> bordered by the ocean on one side and the Sahara Desert on the
other. A bleak and inhospitable departure point for the tens of thousands of
people that pour in from neighboring countries, all with only one dream in
mind: Europe.<b> Hotel Sahara</b> is a film
journey to the last invisible border separating the West-African coast and
Europe. The bleak city on the Atlantic Coast is a metaphor, a point of arrival
and of departure, a gathering place of broken dreams — a place of waiting for
that better life on the far side of the Atlantic. It is above all a no-man<span style="font-family: "courier new" , "courier" , monospace;">'</span>s
land, a place of endless waiting and endless hoping. The film reveals how
difficult it is to differentiate between <span style="font-family: "courier new" , "courier" , monospace;">'</span>true<span style="font-family: "courier new" , "courier" , monospace;">'</span> and <span style="font-family: "courier new" , "courier" , monospace;">'</span>false<span style="font-family: "courier new" , "courier" , monospace;">'</span> refugees. Is one <span style="font-family: "courier new" , "courier" , monospace;">'</span>real<span style="font-family: "courier new" , "courier" , monospace;">'</span>
only when threatened life and limb? What if one simply desires to escape a
deadening lack of perspective? With an observant and cautious eye, <b>Hotel Sahara</b> documents how closely the
dream of a better life is linked to sudden stagnancy, and how much patience is
required to wait for years to finally, perhaps, arrive somewhere.<span style="font-family: "courier new" , "courier" , monospace;">"</span></span></span></span></div>
<div style="text-align: justify;">
<span style="font-family: "courier new" , "courier" , monospace;"><span style="font-size: small;"><span lang="EN-US"><span style="font-family: "courier new" , "courier" , monospace;"><b>*</b> <span style="font-size: x-small;">A country, interes<span style="font-family: "courier new" , "courier" , monospace;">tingly enough, in which owning slaves was still legal up until 2007.</span></span></span> </span></span></span><br />
<span style="font-family: "courier new" , "courier" , monospace;"><span style="font-size: small;"><span lang="EN-US">A serious film
for serious times. One that shares its title with a non-serious film full of white folks from less serious times, 1951:
the British comedy feature directed by Ken Annakin and starring Yvonne De Carlo,
Peter Ustinov and David Tomlinson.</span></span></span><br />
<div style="text-align: center;">
<span style="font-family: "courier new" , "courier" , monospace;"><span style="font-size: small;"><span lang="EN-US"><span style="font-family: "courier new" , "courier" , monospace;"><span style="font-size: small;"><span lang="EN-US"><span style="font-family: "courier new" , "courier" , monospace;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjqnD_LWh6JA8UFTq4DFs6En2e6EX0l3LmkhaiXO6DXqDMIbqET80cmBQ1onDBbfauNEwsBc1Q9KfR-MzUwm0hxDNtZZwmaq_8ICdlQ2ZjQh7VCf4fuIbz3X_yOGNjn5l3ERzNU2YD2yPGf/s1600/Hotsahpos.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjqnD_LWh6JA8UFTq4DFs6En2e6EX0l3LmkhaiXO6DXqDMIbqET80cmBQ1onDBbfauNEwsBc1Q9KfR-MzUwm0hxDNtZZwmaq_8ICdlQ2ZjQh7VCf4fuIbz3X_yOGNjn5l3ERzNU2YD2yPGf/s400/Hotsahpos.jpg" width="273" /></a></span></span></span></span> </span></span></span></div>
<div style="text-align: center;">
<b><span style="font-family: "courier new" , "courier" , monospace;"><span style="font-size: small;"><span lang="EN-US">Trailer to</span></span></span></b></div>
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<b><span style="font-family: "courier new" , "courier" , monospace;"><span style="font-size: small;"><span lang="EN-US"><i>Hotel Sahara</i> (1951):</span></span></span></b></div>
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<span style="font-family: "courier new" , "courier" , monospace;"><span style="font-size: small;">
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Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-5007819407758767381.post-36187959775614463882016-03-19T05:49:00.000-07:002016-03-26T03:50:46.666-07:00God Bless Iceland (2009)<div style="text-align: justify;">
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<span style="font-family: "courier new" , "courier" , monospace;"><span lang="EN-US" style="font-size: small;"><b>God Bless Iceland</b> (58' & 70' & 100') was
written by <a href="http://www.imdb.com/name/nm0426343/">Titti Johnson</a>
and <a href="https://no.wikipedia.org/wiki/Helgi_Felixson">Helgi Felixson</a>,
the latter of whom also directed. A <a href="http://majade.de/films/documentary-films/god-bless-island/">ma.ja.de. production</a>
made in co-production with <a href="http://www.felixfilm.se/index.php">Felixfilm</a>
(SE), Irisfilm (IS), SVT (SE), RUV (IS), and NDR; and in association with arte, YLE
(FI) DRTV (DK) and TV2 (NO). Supported by the <a href="http://www.nordiskfilmogtvfond.com/">Nordic Film & TV Fond</a> and <a href="http://www.icelandicfilmcentre.is/">IcelandicFilm Centre</a>.</span></span><br />
<span style="font-family: "courier new" , "courier" , monospace;"><span lang="EN-US" style="font-size: small;">Under its original working title, </span><span lang="EN-US" style="font-size: small;">"<i style="mso-bidi-font-style: normal;">Point of No Return</i>", I translated
and/or corrected a few funding applications for this documentary, and later I
also translated some of the voice-over commentary. (Please note, I did NOT do
the subtitles; had I, they would've been cleaner and with fewer mistakes.)</span></span><br />
<span style="font-family: "courier new" , "courier" , monospace;"><span lang="EN-US" style="font-size: small;"><a href="http://deckert-distribution.com/film-catalogue/current-affairs-politics/god-bless-iceland/">Deckert Distribution</a>,
which distributes the documentary, gives the following summary: "The financial
crisis has hit the core existence of no other country as hard as the small
nation of Iceland: A country, that in the last years has been one of the most
prosperous nations in the world, suddenly becomes a metaphor for the global
crisis and a proof for the uncontrollability of raging turbo-capitalism.</span></span><br />
<span style="font-family: "courier new" , "courier" , monospace;"><span lang="EN-US" style="font-size: small;">"In the last months the world is shown a series of
dramatic pictures: Outraged demonstrators in the centre of Reykjavik, finally
the resignation of leaders in banks and government as well as the election in
May 2009.</span></span></div>
<div class="MsoNormal" style="text-align: justify;">
<span style="font-family: "courier new" , "courier" , monospace;"><span lang="EN-US" style="font-size: small;">"<b>God Bless Iceland</b> tells the story of the financial
crisis in Iceland, diving into the very real and daily confrontations of the
calamity, which undermined not only the economy of Iceland but the very
identity of the small island nation as well."</span></span></div>
<div class="MsoNormal" style="text-align: center;">
<span style="font-family: "courier new" , "courier" , monospace;"><span style="font-size: small;"><b style="mso-bidi-font-weight: normal;"><span lang="EN-US" style="font-size: 12.0pt;">Trailer:</span></b></span></span></div>
<div style="text-align: center;">
<span style="font-family: "courier new" , "courier" , monospace;"><span style="font-size: small;"><iframe allowfullscreen="" frameborder="0" height="283" mozallowfullscreen="" src="https://player.vimeo.com/video/11130527" webkitallowfullscreen="" width="500"></iframe></span></span>
</div>
<div style="text-align: center;">
<span style="font-size: x-small;"><span style="font-family: "courier new" , "courier" , monospace;"><a href="https://vimeo.com/11130527">GOD BLESS ICELAND (2009)</a> from <a href="https://vimeo.com/user3641969">ma.ja.de.</a> on <a href="https://vimeo.com/">Vimeo</a>.</span></span></div>
Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-5007819407758767381.post-77830645378299860072016-03-13T06:30:00.000-07:002016-03-26T03:51:00.150-07:00Midsummer Night's Tango (2013)<div class="MsoNormal" style="text-align: center;">
<span style="font-family: "courier new" , "courier" , monospace;"><span style="font-size: small;"><span lang="EN-US"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhWvUDLBcmBfZnoVTvVoqvePMC9vGhOPIvn8K6tbk8vj8MgUnOek_9pN00y0ceGlMPu6-Tx66pYQU5S5Jn0yMGfUCwZNy_wYTGk5B0D_23iIjF_3xi_Jpmi7N_kAjIWkywCJHoH9J0gfL77/s1600/Presseheft_Mittsommernachtstango.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="265" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhWvUDLBcmBfZnoVTvVoqvePMC9vGhOPIvn8K6tbk8vj8MgUnOek_9pN00y0ceGlMPu6-Tx66pYQU5S5Jn0yMGfUCwZNy_wYTGk5B0D_23iIjF_3xi_Jpmi7N_kAjIWkywCJHoH9J0gfL77/s400/Presseheft_Mittsommernachtstango.jpg" width="400" /></a> </span></span></span><br />
<div style="text-align: justify;">
<span style="font-family: "courier new" , "courier" , monospace;"><span style="font-size: small;"><span lang="EN-US">Made in co-production
with <a href="http://www.illume.fi/site/?lan=3">Illume Ltd.</a> (Finland), <a href="http://www.gemafilms.com/">Gema Films</a> (Argentina), SF and 3sat, with the
support of the MEDIA Progamme of the European Union, and funding by Filmförderungsanstalt
– FFA, Mediaboard Berlin-Brandenburg, Filmstiftung Nordrhein-Westfalen, Finnish
Film Foundation, and the Instituto Nacional de Cine y Artes Audiovisuales.</span></span></span><span style="font-family: "courier new" , "courier" , monospace;"><span style="font-size: small;">
</span></span></div>
</div>
<div align="center" class="MsoNormal" style="text-align: center;">
<span style="font-family: "courier new" , "courier" , monospace;"><span style="font-size: small;"><b><span lang="EN-US">English Trailer:</span></b></span></span><br />
<iframe allowfullscreen="" frameborder="0" height="281" mozallowfullscreen="" src="https://player.vimeo.com/video/80898106" webkitallowfullscreen="" width="500"></iframe>
<span style="font-size: x-small;"> </span><br />
<span style="font-size: x-small;"><a href="https://vimeo.com/80898106">Midsummer Night's Tango_Trailer</a> from <a href="https://vimeo.com/gebruederbeetz">gebrueder beetz filmproduktion</a> on <a href="https://vimeo.com/">Vimeo</a>.</span><span style="font-family: "courier new" , "courier" , monospace;"><span style="font-size: small;"><span lang="EN-US"> </span></span></span><br />
<div style="text-align: justify;">
<span style="font-family: "courier new" , "courier" , monospace;"><span style="font-size: small;"><span lang="EN-US">Written and directed
by <a href="http://www.imdb.com/name/nm1650580/">Viviane Blumenschein</a>. </span></span></span><br />
<span style="font-family: "courier new" , "courier" , monospace;"><span style="font-size: small;"><span lang="EN-US">I translated two or three different treatment versions
to this documentary cum road movie in 2011, when its working title was <b>Cheek to Cheek – An Argentinean Discovers Finnish Tango</b> / <b>Wange an Wange – Ein Argentinier entdeckt
den finnischen Tango</b>.</span></span></span></div>
</div>
<div class="MsoNormal" style="text-align: justify;">
<span style="font-family: "courier new" , "courier" , monospace;"><span style="font-size: small;"><span lang="EN-US">The description
of the final version, <b>Midsummer Night's
Tango</b>, as found on <a href="http://www.gebrueder-beetz.de/en/">Gebrueder Beetz</a>:
"Finns have a quirky sense of humour – and are a bit shy. But: Tango is
THE folk music of the Finns. The documentary discovers the Finnish tango from
the viewpoint of the singer Chino Laborde, the guitarist Diego 'DIPI' Kvitko
and the bandoneonist Pablo Greco. The three Argentine musicians travel to
Finland to find out whether Aki Kaurismäki is telling the truth when he asserts
that tango music was invented in Finland."</span></span></span><br />
<span style="font-family: "courier new" , "courier" , monospace;"><span style="font-size: small;"><span lang="EN-US">Actually, "Argentinean
tango" is a misnomer i<span style="font-family: "courier new" , "courier" , monospace;">n</span> the first place, as tango arose simultaneously on
both sides of the Rio de la Plate in the lower income areas of Monte<span style="font-family: "courier new" , "courier" , monospace;">v</span>ideo,
Uruguay, and Buenos Aires, Argentina, towards the end of the 19th century.</span></span></span><b><span style="font-family: "courier new" , "courier" , monospace;"><span style="font-size: small;"><span lang="EN-US"> </span></span></span></b><br />
<div style="text-align: center;">
<b><span style="font-family: "courier new" , "courier" , monospace;"><span style="font-size: small;"><span lang="EN-US">For
your listening pleasure,</span></span></span></b></div>
<div style="text-align: center;">
<b><span style="font-family: "courier new" , "courier" , monospace;"><span style="font-size: small;"><span lang="EN-US">the most famous "Argentinean tango" ever written:<i> </i></span></span></span></b></div>
<div style="text-align: center;">
<b><span style="font-family: "courier new" , "courier" , monospace;"><span style="font-size: small;"><span lang="EN-US"><i>La Cumparsita</i>, </span><span lang="EN-US">composed in
1916 by</span></span></span></b></div>
<div style="text-align: center;">
<b><span style="font-family: "courier new" , "courier" , monospace;"><span style="font-size: small;"><span lang="EN-US">the Uruguayan <a href="https://en.wikipedia.org/wiki/Gerardo_Matos_Rodr%C3%ADguez">Gerardo Matos Rodríguez</a>:</span></span></span></b></div>
</div>
<div style="text-align: center;">
<iframe allowfullscreen="" frameborder="0" height="315" src="https://www.youtube.com/embed/pWj4EFX11LY" width="560"></iframe></div>
Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-5007819407758767381.post-51722045922495794672016-03-05T08:06:00.000-08:002016-03-05T08:08:11.540-08:00LOUISE NEVELSON – Creativity shaped my life<div class="MsoNormal">
<div style="text-align: center;">
<span style="font-family: "courier new" , "courier" , monospace;"><span style="font-size: small;"><span lang="EN-US"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEghrUNbw1O4wg31gzVRov63DV1w-H-hY6AP4Sx9rTldvRUPCVBFAclnvN5h7R7mL_C-L-KStEY6PsNUAI5eCRqZNgNt8rTHsao0KBeWzLQ2ShXbZDAIUVJBe1cOLa4gGVkWi4TFcsuPKsad/s1600/41GDrxznehL.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEghrUNbw1O4wg31gzVRov63DV1w-H-hY6AP4Sx9rTldvRUPCVBFAclnvN5h7R7mL_C-L-KStEY6PsNUAI5eCRqZNgNt8rTHsao0KBeWzLQ2ShXbZDAIUVJBe1cOLa4gGVkWi4TFcsuPKsad/s400/41GDrxznehL.jpg" width="326" /></a></span></span></span></div>
<span style="font-family: "courier new" , "courier" , monospace;"><span style="font-size: small;"><span lang="EN-US">(ISBN-10: 3925782826, ISBN-13:
978-3925782824)</span></span></span><span style="font-family: "courier new" , "courier" , monospace;"><span style="font-size: small;">
</span></span></div>
<div class="MsoNormal" style="text-align: justify;">
<span style="font-family: "courier new" , "courier" , monospace;"><span style="font-size: small;"><span lang="EN-US">DIE GALERIE, Frankfurt, published this
catalog to accompany their career review of the great American sculptor
Louise Nevelson. The show ran from 5 June - 6 September 2014. The
120-page, bilingual (German and English) catalog included an introduction by
Peter Femfert and texts by <a href="http://www.louisenevelsonfoundation.org/">Louise Nevelson</a>;
Bruno Corà, the director of the <a href="http://www.camusac.com/pagine-MUSEUM/1_1/eng/">Cassino Museo Arte Contemporanea</a>;
Dr. Christoph Grunenberg, the director of the <a href="https://www.kunsthalle-bremen.de/home-en/#&panel1-1">Kunsthalle Bremen</a>;
<a href="http://www.stoll-film.de/">Dr. Andrea Stoll</a>; and
Damiano Femfert.</span></span></span></div>
<div class="MsoNormal" style="text-align: center;">
<span style="font-family: "courier new" , "courier" , monospace;"><span style="font-size: small;"><span lang="EN-US"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiiIJgqv-ErckEsoaZC9rIs_Xx1VZF-wVhMDks6qONZPYyG4bt6t-wJWJcjt8gSSkNfhsX_RUGMxt4qSTQw1G2NEtbo1YYOFieiWAX0GrQBmMikwDW_lY4z_2mCTYP1bemPZp-ILYUUMLfU/s1600/louise-nevelson-ohne-titel1982DieGalerie.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="300" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiiIJgqv-ErckEsoaZC9rIs_Xx1VZF-wVhMDks6qONZPYyG4bt6t-wJWJcjt8gSSkNfhsX_RUGMxt4qSTQw1G2NEtbo1YYOFieiWAX0GrQBmMikwDW_lY4z_2mCTYP1bemPZp-ILYUUMLfU/s400/louise-nevelson-ohne-titel1982DieGalerie.jpg" width="400" /></a></span></span></span></div>
<div class="MsoNormal" style="text-align: center;">
<span style="font-family: "courier new" , "courier" , monospace;"><span style="font-size: small;"><span lang="EN-US"><span style="font-size: x-small;">The full piece: Untitled, 1982 (Photo: Die Galerie, Frankfurt)</span> </span></span></span></div>
<span style="font-family: "courier new" , "courier" , monospace;"><span style="font-size: small;">
</span></span><br />
<div class="MsoNormal" style="text-align: justify;">
<span style="font-family: "courier new" , "courier" , monospace;"><span style="font-size: small;"><span lang="EN-US">The on-line journal <a href="http://ambikarajgopal.co/2016/01/02/american-artist-louise-nevelson-a-life-shaped-by-creativity/"><i>Articulating</i></a></span></span></span><span style="font-family: "courier new" , "courier" , monospace;"><span style="font-size: small;"><span lang="EN-US"> had the following to say about the artist and show: "The work of American
artist Louise Nevelson, one of the most significant sculptresses<b>*</b> of the 20th
century, has left an indelible mark on the history of art. Despite the
multitude of influences that shine through her art, Nevelson's work defies any
specific art historical categorisation. The exhibition <i>LOUISE NEVELSON - Creativity shaped my life </i>in Frankfurt's DIE
GALERIE is a retrospective journey of the artist's work in all its essential
facets. [...]"</span></span></span><span style="font-family: "courier new" , "courier" , monospace;"><span style="font-size: small;">
</span></span></div>
<div class="MsoNormal" style="text-align: justify;">
<span style="font-family: "courier new" , "courier" , monospace;"><span style="font-size: small;"><span lang="EN-US">*<span style="font-size: x-small;">I can't help but wonder: Does one really
still refer to wom<span style="font-family: "courier new" , "courier" , monospace;">e</span>n sculptors as sculptresses? Most women I know would claim
otherwise. What's your opinion?</span></span></span></span></div>
<span style="font-family: "courier new" , "courier" , monospace;"><span style="font-size: small;">
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<![endif]-->Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-5007819407758767381.post-72491399543171463742016-02-27T04:54:00.002-08:002016-02-27T04:54:53.531-08:00Jew by Choice (2007)<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiPlCmgI-ox8cQ6X4C4mm_Z8IdH3GoMey2TVLDxSr2q4wu-FAOEyrCXTx47o0oyaX_z1VxJaHWBOsqS4qC4GoQgQfJp-21PKVTma9CjO3gWaQo-YRrCJt6X0ivFJWmvgCVLc1po1_bMOyCH/s1600/Protagonisten.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="160" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiPlCmgI-ox8cQ6X4C4mm_Z8IdH3GoMey2TVLDxSr2q4wu-FAOEyrCXTx47o0oyaX_z1VxJaHWBOsqS4qC4GoQgQfJp-21PKVTma9CjO3gWaQo-YRrCJt6X0ivFJWmvgCVLc1po1_bMOyCH/s400/Protagonisten.jpg" width="400" /></a></div>
<div style="text-align: justify;">
<span style="font-family: "courier new" , "courier" , monospace;"><span style="font-size: small;"><span style="font-family: "courier new" , "courier" , monospace;">(</span>52 min., a<span lang="EN-US"> documentary by <a href="http://www.imdb.com/name/nm2312075/bio?ref_=nm_ql_1">David Bernet</a>
and <a href="http://www.swissfilms.ch/en/information_publications/festival_search/festivaldetails/-/id_person/3708#">Robert Ralston</a>
in co-production with <a href="http://www.idanregev.com/">Idan Regev Productions</a>, WDR/arte, </span></span></span><span style="font-family: "courier new" , "courier" , monospace;"><span style="font-size: small;"><span lang="EN-US"><span style="font-family: "courier new" , "courier" , monospace;"><span style="font-size: small;"><span lang="EN-US">and </span></span></span> The Second Authority [Israel];
a</span> <a href="http://www.gebrueder-beetz.de/produktionen/jew-by-choice">Gebrueder Beetz Filmproduktion</a>.)</span></span><span style="font-family: "courier new" , "courier" , monospace;"><span style="font-size: small;"> </span></span><br />
<span style="font-family: "courier new" , "courier" , monospace;"><span style="font-size: small;">Way back in 2006, I did a treatment for this
documentary.</span></span></div>
<div style="text-align: justify;">
<span style="font-family: "courier new" , "courier" , monospace;"><span style="font-size: small;"><span lang="EN-US">The synopsis, as found at </span><a href="http://www.swissfilms.ch/en/film_search/filmdetails/-/id_film/2146533203">Swiss Films</a>:
"<span lang="EN-US">It is difficult to say
exactly what comprises a Jewish identity. It is even more difficult when
Germans convert to Judaism. The documentary gently reveals the profound
ambivalence that German converts face in making their decision. The portrayal
of three protagonists, each in different phases of their lengthy process. <b>Jew by Choice</b> navigates the delicate
zone of the German-Jewish relationship. For those on the outside, an almost
incomprehensible emotional journey in search of security."</span></span></span></div>
<div style="text-align: center;">
<iframe allowfullscreen="" frameborder="0" height="279" mozallowfullscreen="" src="https://player.vimeo.com/video/44507591" webkitallowfullscreen="" width="500"></iframe>
</div>
<div style="text-align: center;">
<span style="font-size: xx-small;"><span style="font-family: "courier new" , "courier" , monospace;"><a href="https://vimeo.com/44507591">Jew by Choice</a> from <a href="https://vimeo.com/gebruederbeetz">gebrueder beetz filmproduktion</a> on <a href="https://vimeo.com/">Vimeo</a>.</span></span></div>
<div class="MsoNormal" style="text-align: justify;">
<span style="font-family: "courier new" , "courier" , monospace;"><span style="font-size: small;"><span lang="EN-US">Six years later
in 2012 I ended up doing the subtitles to Robert Ralston's Swiss feature-length TV
movie, </span><b><a href="http://est-1999.blogspot.de/2015/05/ruhestorung-vater-unser-wille-geschehe.html">Ruhestörung / Vater, unser Willegeschehe</a> </b>(2011).</span></span></div>
<span style="font-family: "courier new" , "courier" , monospace;"><span style="font-size: small;">
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<![endif]-->Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-5007819407758767381.post-22368643714228424962016-02-20T05:54:00.000-08:002016-02-20T05:54:17.411-08:00The Seamstresses / Die Näherinnen (2010)<div style="text-align: center;">
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjAkUc_qE-eeGs5Q45LaERzxT-fFseSFHWf9ND3D63WucC24AF-ne3xuplPKUxzskuVb4RqXmvMzX6euROx1wepS_68GL8UXWUlKcGgUXEbzFp1u3uDgI4c3IQvLWRKysrw9DyS5CnwPE4z/s1600/acebcd5b07.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjAkUc_qE-eeGs5Q45LaERzxT-fFseSFHWf9ND3D63WucC24AF-ne3xuplPKUxzskuVb4RqXmvMzX6euROx1wepS_68GL8UXWUlKcGgUXEbzFp1u3uDgI4c3IQvLWRKysrw9DyS5CnwPE4z/s400/acebcd5b07.jpg" width="278" /></a></div>
<span style="font-family: "courier new" , "courier" , monospace;"><span style="font-size: small;">(Documentary film, 26 min., by <span id="goog_1923372872"></span><a href="https://www.blogger.com/">Biljana
Garvanlieva<span id="goog_1923372873"></span></a>, Gebrueder Beetz
Filmproduktion, Berlin)</span></span></div>
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<span style="font-family: "courier new" , "courier" , monospace;"><span style="font-size: small;"><span lang="EN-US">Just to get an
idea of how long some films are in production: I translated a treatment of this
award-winning documentary for </span><span lang="EN-US"><a href="http://www.gebrueder-beetz.de/en/">Gebrueder Beetz Filmproduktion</a>, Berlin</span><span lang="EN-US"></span><span lang="EN-US"> way back </span><span lang="EN-US">in 2007, three full years before it was
finally released.</span></span></span></div>
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<span style="font-family: "courier new" , "courier" , monospace;"><span style="font-size: small;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjjCl17-YLFQUjeZs4rNOzR9G4XNNbVi2a63VbwfNVj_Ym_KUBHKbJLs3SaqLC2iVGH028FdKcjfr4Di51N8frDZ_5dQ8D0ZM-0xEKljL7Fy1XXKGn9Up8LOjpy47kwUbfS7dgyPUy5MihN/s1600/heart-of-sarajevo_en_award.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjjCl17-YLFQUjeZs4rNOzR9G4XNNbVi2a63VbwfNVj_Ym_KUBHKbJLs3SaqLC2iVGH028FdKcjfr4Di51N8frDZ_5dQ8D0ZM-0xEKljL7Fy1XXKGn9Up8LOjpy47kwUbfS7dgyPUy5MihN/s1600/heart-of-sarajevo_en_award.jpg" /></a></span></span></div>
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<span style="font-family: "courier new" , "courier" , monospace;"><span style="font-size: small;"><a href="http://dafilms.com/film/9048-the-seamstresses/"><span lang="EN-US">Doc Alliance</span></a><span lang="EN-US"> offers the following summary of
the short: "Eriela, Beti and Vesna are seamstresses in the small town of
<a href="https://en.wikipedia.org/wiki/%C5%A0tip">Stip</a>. If they wanted to afford one of their handmade blouses, it would cost
them a month's salary. While the women are fully employed, their men are less
fortunate and find themselves unemployed after the collapse of communism. A
situation with a lot of potential conflict for the couples. The men find it
hard to be dependent financially on their women, when they used to proudly
provide for the family. Alongside the textile industry, the film tells the
parable of the children of Macedonia after the collapse of communism and takes
a look behind the curtains of globalization."</span></span></span></div>
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<span style="font-family: "courier new" , "courier" , monospace;"><span style="font-size: small;"><b><span lang="EN-US">Trailer:</span></b></span></span></div>
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<span style="font-family: "courier new" , "courier" , monospace;"><span style="font-family: "courier new" , "courier" , monospace;"><span style="font-size: small;">
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<![endif]--><span style="font-family: "courier new" , "courier" , monospace;"><iframe allowfullscreen="" frameborder="0" height="281" mozallowfullscreen="" src="https://player.vimeo.com/video/16273890" webkitallowfullscreen="" width="500"></iframe></span>
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<div style="text-align: center;">
<span style="font-size: xx-small;"><span style="font-family: "courier new" , "courier" , monospace;"><a href="https://vimeo.com/16273890">Trailer - THE SEAMSTRESSES / DIE NÄHERINNEN / SHIVACKITE</a> from <a href="https://vimeo.com/manuelzimmer">Manuel Zimmer</a> on <a href="https://vimeo.com/">Vimeo</a>.</span></span></div>
Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-5007819407758767381.post-67413293841039857982016-02-13T09:22:00.000-08:002016-02-13T09:22:07.041-08:00The Importance of Grammar, Part III<div style="text-align: center;">
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